Review of The Caves Of Steel by Isaac Asimov

SFFaudio Review

Science Fiction Audiobook - The Caves of Steeel by Isaac AsimovThe Caves of Steel
By Isaac Asimov; Read by William Dufris
6 CDs – 7.5 Hours [UNABRIDGED]
Publisher: Tantor Audio
Published: 2007
ISBN: 9781400104215
SAMPLE |MP3|
Themes: / Science Fiction / Mystery / Robots / Artificial Intelligence / Sociology / New York /

A millennium into the future, two advancements have altered the course of human history: the colonization of the galaxy and the creation of the positronic brain. Isaac Asimov’s Robot novels chronicle the unlikely partnership between a New York City detective and a humanoid robot who must learn to work together.

Elijah Baley and his wife and son live in an overcrowded New York city (the titular Caves Of Steel) in our distant future. Outside the insular Earth, humans have colonized many planets with their robot servants to assist them. These “Spacer” worlds are rich, have small populations, and high standards of living. The Earthers all live in vast city complexes and never venture outside. The Spacers maintain an embassy, from which they seek to help their backward progenitors – but this help is both resented and rebuffed. The latest incident is revealed when Elijah Bailey, a New York detective, is called into his superior’s office and tasked with solving a murder in the “spacer” enclave. But his boss has one more demand of him. Elijah must partner up with a robot named R. Daneel Olivaw for the duration of the case.

Asimov’s vision of New York in The Caves Of Steel fits neatly somewhere in between the well envisioned arcologies like “Todos Santos” (Larry Niven and Steve Barnes’ Oath Of Fealty), future cities like “Mega-City One” (Judge Dredd) and that of “Diaspar” (found in Arthur C. Clarke’s The City And The Stars). As such it is an experience not to be missed. The mixture of politics, psychology and sociology that’s found in Asimov’s Foundation novels is also present. But central to the experience of The Caves Of Steel is Mystery. It is a Mystery in a Science Fiction setting and not the other-way round. The well realized economy, culture, and characters (this latter in a surprisingly good turn for Asimov) are all carefully explained so as to set up the mystery – even the red-herrings are important to the plot.

Isaac Asimov basically invented the small sub-genre of the Science Fiction Mystery, and this was the novel that started it all. I’ve read lots of other books of his, including one straight Mystery that was set at a Science Fiction convention (starring a detective modeled on Harlan Ellison). And like that novel, this one keeps you guessing right up until the very end. That’s a good thing too – Asimov doesn’t cheat. We’ve got a city full of suspects, but the motive – when it’s ultimately revealed – is as logical as the deduction is sound.

It isn’t an insult to say that William Dufris sounds like a robot. He sounds like a robot when it’s a robot speaking, and sounds like a man when it’s a man speaking. He can also inflect his voice to sound more feminine – which is handy for females (and female robots too). Suffice it to say William Dufris reads Asimov’s spare and unadorned prose with alacrity. I’m excited to say the sequel, The Naked Sun is also available from Tantor!

Posted by Jesse Willis

CBC’s new Radio Drama series: World of Mystery

Aural Noir: News

CBC Radio One’s World Of MysteryThere are 12 new shows in CBC Radio One’s “Radio Summer 2008” lineup. And one of them is a new Mystery radio drama anthology series…

“International radio drama at its most mysterious. We share mysteries from the BBC World Service, Radio New Zealand, Ireland, Australia and the U.S.”

But, at least so far, it isn’t being podcast! And, it’s also the only one without an audio preview. If any CBC show is going to be podcast it should be the radio dramas! Still, World of Mystery airs twice a week, first on Wednesdays at 11pm and then it repeats Fridays at 11:30am.

Here are the episodes:

From ABC (Australia)…
Concerto for Humans and Semtex
Broadcast: Part One airs on July 9th, Part Two airs on July 16th
Four intricately interwoven stories, each featuring a conversation between two people with opposing attitudes who have been affected directly by the aggression, explore the bigger questions of war and terrorism. Reading through each story separately gives the impression that the “war on terror” is a drawn-out, tragic and futile exercise fuelled by hypocrisy, self-interest and hidden agendas.

From Radio New Zealand…
The Moehau
Broadcast: Part One airs on July 23rd, Part Two airs on July 30th
A young woman hiker lies in a psychiatric hospital, traumatised, babbling in a language she has never learned, and refusing to open her clenched eyes. Has she unwittingly awakened something dark, primitive and unspeakable in the mountains and ravines of the Moehau Range, or did she herself commit an unspeakable crime? The Moehau stirs up mythological undercurrents from New Zealand’s ancient past, disturbing the placid surface of our beliefs and fears.

From BBC Worldwide…
The Black Cat Murder Mystery
Broadcast: Part One airs on August 6th, Part Two airs on August 13th
London 2008. A comic murder mystery set in an apartment block in Fitzrovia: a cosmopolitan neighbourhood a step away from the BBC’s famous Broadcasting House. Featuring a corpse in flat 6; a mysterious hermit in flat 12; a cognitive neuroscientist looking for love in flat 3; a Russian businessman in flat 11; a Japanese bassoonist in flat 8; a seductive blonde in flat 5 – and an extremely unusual detective.

CBC Radio One…
The World According to Charlie D: Long Time Listener/First Time Caller
Broadcast: Part One airs on August 20th, Part Two airs on August 27th
The brilliant and disfigured late night radio show host Charlie D is a regular in Gail Bowen’s best-selling Joanne Kibourn mystery series. In this play, we have Charlie D and his faithful producer Nova, trying to figure out if one of his devoted, demented fans is also a killer…

Posted by Jesse Willis

Wormwood Season 2 – Crossroads

SFFaudio Online Audio

Wormwood Season 2 - CrossroadsWormwood Season 2 is active and well underway!!!

So what’s Wormwood? And why are you so excited about it?

Well, Wormwood is one of the coolest audio dramas I’ve ever heard. It features a large cast of characters who reside in a small town called “Wormwood” – this is the kind of place H.P. Lovecraft would have lived in if he’d moved to California. Last season, the mysterious Xander Crowe, who sports a mysteriously withered hand, arrived in town chasing after a vision he had of a drowned woman. He closed in on the mystery near the season finale, but that only brought many new questions – all scary.

Some quick advice before listening:

1. Be sure to put on your brown trousers.
2. Listen only during daylight hours.
3. Don’t listen alone!

The new season is subtitled “Crossroads,” here’s the teaser |MP3| and here are the first 6 episodes:

Season 2 Episode 1 |MP3| One Month Later
Season 2 Episode 2 |MP3| The Rescue
Season 2 Episode 3 |MP3| The Missing Month (part 1)
Season 2 Episode 4 |MP3| Thinning (part 1)
Season 2 Episode 5 |MP3| A Sentimental Nature
Season 2 Episode 6 |MP3| Ghosthunters Of Wormwood

Click HERE to subscribe via iTunes, or plop this feed into any podcatcher:

http://feeds.feedburner.com/WormwoodMystery

Posted by Jesse Willis

Review of The Red Panda Adventures – Season 3

SFFaudio Review

Superhero Audio Drama - The Red Panda Adventures - Season ThreeThe Red Panda Adventures – Season 3
By Gregg Taylor; Performed by a full cast
12 MP3 Files – Approx. 6 Hours [AUDIO DRAMA]
Podcaster: Decoder Ring Theatre
Podcast: September 2007 – May 2008
Themes: / Fantasy / Superheroes / Mystery / Adventure / Magic / Time Travel / Robots /

“None of the other heroes kiss their sidekicks!”

You’d think after thirty-six episodes The Red Panda Adventures would have become formulaic – to have settled into a well-worn style. It sure doesn’t feel that way, RP shows no signs of becoming anything like a mere dry routine. The familiarities are only in the iconic lines of character dialogue that are heard in every episode – bits like: “Kit Baxter, behave yourself!” and “He’ll face justice at the hands of The Red Panda!” If there is a formula, it must be a magic one secretly possessed by Gregg Taylor and the Decoder Ring crew. There’s really no other way to explain how bloody wonderful this show really is.

Plotlines from Season 3 still obviously follow the ‘heroes fight injustice’ thread, but other than that the storytelling is extremely varied. In one show the story is told very heroes-light, with the twin leads barely showing up, in another it’ll be very hero-heavy with barely another actor on the stage. One show will showcase a new villain up to old tricks, another will offer an old villain up to very new tricks. Injustices too run the gamut: from arson, to bootlegging, to racketeering, to pickpocketing, to mysterious and seemingly profitless industrial accidents. Heck, there was even a Christmas show performed entirely in rhymed verse (“Tis The Season!”). Other favorite episodes from Season 3 included the locked room style “A Midwinter’s Murder,” the series of three short adventures chronicled in “Now, The News,”. Scenes too standout, there was a certain scene on Sunnyside beach in “The Rat Lord.” that is utterly classic. And finally, there is the shocking (and I do mean shocking!) season ender – “The Field Trip.”

Voice talent abounds in the Decoder Ring troupe, there’s hardly a performance that isn’t spot on. Although, I should say, there was one actor, who obviously wasn’t very experienced, as he was playing a kid, and obviously was a real kid! But this is an aberration, normally, the child characters are played by female adult actors (as is done on The Simpsons). My favorite returning villain for Season 3 was the Mad Monkey (voiced by Christopher Mott). But this time he’s returned with his own assistant, but just like RP, he can’t seem to wrap his mind around an aggressive female sidekick. New characters like The Red Squirrel (played by Denise Anderson) also charm – I do hope to hear more of her! One thing I’d been missing from the show by listening to the podiobooks collections in the past, was the wonderful commercials. Every episode in the regular Decoder Ring feed has some sort of commercial endorsement. This could be from a website or a company, but often they are just the cutest little skits paid for by family members wishing each other a ‘happy birthday’, or ‘happy anniversary.’ How cool is that?

In the final episode of Season 3, old villains like Professor Von Schlitz are aligning themselves with new enemies like the Third Reich (!) but that isn’t the half of it. See, on the personal front, the blossoming romance between Panda and Squirrel is brought to the fore in the last epsiode. I imagine every longtime listener to the show who’s heard it is just freaked-out to the max about the final scene. Will where the show has now gone ultimately bring the end of the show? We’ll have to wait about two more months to find out.

Happy Canada Day everybody, go celebrate with some RED PANDA!

Posted by Jesse Willis

Review of Infected by Scott Sigler

SFFaudio Review

Infected by Scott SiglerInfected
By Scott Sigler; Read by Scott Sigler
9 CDs – 12 hours – [UNABRIDGED]
Publisher: Random House Audio
Published: 2008
ISBN: 9780739328859
Themes: / Horror / Science Fiction / Mystery / Bio Chemical / Self Mutilation / Scott Sigler / Podcast

Maybe you’ve been away on vacation. Maybe you’re new here. Maybe you fell asleep 100 years ago and you’re just waking up. Maybe you’ve been locked inside your house with a pair of chicken scissors. Who knows? But, if you are a fan of audiobooks and audio fiction and DON’T know about Scott Sigler, you’ve been missing out.

So, for those of you who don’t know who Scott Sigler is, he started out as a rogue novelist that decided to record his own novels and distribute them for free, over the internet, as podcasts, to build an audience for his writing. And my, oh my how it has worked! Who would have ever thought that you could make money, or at least get yourself a big time publishing deal with a major company just by giving your stuff away for free? For those of you who, like me, have been following his rise, you’ll be happy to hear that our little Scott Sigler is all grown up now. He’s out of diapers and he’s using his “big boy” voice.

The basic premise of Infected is this: Some strange virus, disease, or biological weapon is turning normal people in to stark raving lunatics. This mysterious disease, whatever it is, causes its victim to become paranoid, psychotic, and just a little more than grumpy. There’s suspense, gore, disturbing self mutilation and of course, lots and lots of violence. But, as you may well know, adult themes and disturbing images only work if they are used to serve as a backdrop to great writing. Infected is most certainly well written and that’s why it is a good listening experience from beginning to end.

CIA operative Dew Phillips is burdened with the task of figuring out what this thing is and why it causes such behavior from its victims. Even with the help of CDC Epidemiologist Margaret Montoya, he does not know much about the disease. Because of its nature, all infected victims have been found dead. The investigation takes them from city to city, hoping to catch a live host.

Then there’s our “host” Perry Dawsey. He’s a gigantic former college football player, with a slight twinge towards problems of an anger management nature. He doesn’t know it yet, but he’s about to take you on a wonderful ride of beautifully written “gross”. Perry is a man who has struggled for years to control his anger and you begin to feel for him as you witness his downward spiral in to violence. You may find yourself fighting for Perry the perfectly crafted underdog. Normally you wouldn’t consider such a hugely athletic man as an “underdog”. But, in Infected, his strength is literally his weakness.

I first heard Infected in its original form as a free audio podcast. When I sat down to listen to this professionally produced and released unabridged recording, I thought I was about to take a trip in to a wonderfully relaxing nostalgia. But, I was wrong. From the first page, the book has been completely re-worked, tightened, tweaked, improved upon, and added to. Infected is as fit as a boxer getting ready to fight for the title belt and every page, chapter, and verse has a polished feel that resonates with the listener. There is also new material, previously unreleased, including twenty-two pages that you won’t even find in hardcover book.

For fans of Sigler’s podcast, you will be happy to hear that he narrated the entire book himself. It comes complete with elements that you don’t normally find in a big budget release, such as voices and a mild amount of sound effects that help the recording spring to life. Yet the entire thing feels like his podcast. I kept expecting him to come in and say, “That’s all the story I’ve got for you this week…” but he never did. Not until the end, almost twelve gruesome hours later.

The sound quality is very good. There are no flubs, exterior sounds, or flaws. It not only sounds good, but Scott Sigler has actually never sounded better. That’s a lot to be said for someone who jokingly claims to have been doing this perfectly for over eighteen years now.

I realized when I first pressed “play” on this audiobook that I had never actually listened to anything written by Scott Sigler in one extended sitting. I had been consuming his fiction, just like every other person out there, one week at a time, for just a few minutes at a time. I am happy to report that he is not like one of those annoying friends that you enjoy only in small doses. I started listening to Infected, and even though I already had a good idea of what the story and characters were going to be, I just kept listening all the way through to the end. The writing is solid and the plot twists and character arcs are all perfectly juxtaposed. You can never relax or let your guard down because there is something even worse coming to get you from just around the corner.

So, if you’re in to a little romantic comedy where all is well at the end and everyone loves each other, Infected is not for you. But, if you are looking for something that is page burningly well written with great characters, violence gore, a dash of self mutilation and some chicken scissors thrown in for good measure, definitely give Infected a shot. I’m sure Scott Sigler would thank you personally, but he’s locked in his closet right now recording his next great hit, which he is still giving away for free, every week. Well, almost every week. It isn’t exactly clockwork.

Posted by Michael Bekemeyer of the Scatterpod podcast.

Review of Thirteen by Richard K. Morgan

SFFaudio Review

Tantor Audio - Thirteen by Richard K. Morgan

Thirteen
By Richard K. Morgan; Read by Simon Vance
18 CDs or 3 MP3-CDs – Approx. 23 Hours [UNABRIDGED]
Publisher: Tantor Audio
Published: July 2007
ISBN: 1400104319 (CDs), 1400154316 (MP3-CDs)
Themes: / Science Fiction / Noir / Mystery / Hard Boiled / Genetic Engineering /

Carl Marsalis is a traitor, a bringer of death, a genetic freak and an unwelcome reminder of all that is dark in the human psyche – he in every sense of the word a Black Man. And right at the moment he’s beyond the UN’s jurisdiction, banged up in a Florida jail for financing an illegal abortion. So when the US police call, Carl cuts a deal. The 13s are genetically engineered alpha males, designed to fight the century’s last conflicts. But men bred and designed to fight are dangerous to have around in peacetime. Many of them have left for Mars, but one has returned. Somehow he survived the journey to Earth, and now a series of brutal slayings has erupted across America. Only Carl can stop him. And so begins a frenetic man hunt and a battle for survival. And a search for the truth about what was really done with the world’s last soldiers.

I find Richard K. Morgan, in his rare interviews, offers deep insights into his work. In regards to Thirteen (called Black Man in the U.K.), he describes it as: “An accidentally lengthy meditation on elements of the human condition that the Kovacs books [Altered Carbon etc.] always had the capacity to sidestep – namely, the prison of our own flesh, and the inevitable doom of our own mortality.” And its true, Morgan delivers action and cogitation on action. The setting, a grimly-futuristic Earth and the characters play out the consequences of a well thought out backstory. In Thirteen it seems that various experiments in genetic engineering have lead to at least thirteen strains of humanity. Like all good hard-boiled mysteries it has a fully realized backstory that predominates the main-stage machinations. Carl Marsalis is our anti-hero. He’s one of a small group of genetically engineered super-soldiers who were created by the British government for military use. In Thirteen, Morgan has created a grim future – one that is different from his detailed Altered Carbon and Market Forces worlds – but no less vivid. Years ago, in our future, a new arms race ran rampant, every nation with super-power ambitions started making genetic super-soldiers, others side stepped into crossbreeding bonobos sexual appetites and attitudes into humans. Add in a new racism bound to genetics, the old racism based on skin tone, the potential return of Jesus Christ, a dissolved United States of America, and international intrigue plays out from South America to Asia Minor and Mars – and you get a very rich premise. Carl Marsalis is a dour, taciturn anti-hero, but he’s pretty compassionate for a sociopath. His genes and something called “mesh” (another Richard K. Morgan edge-giver like “neuro chem” from Altered Carbon) and martial arts from Mars make him one bad-ass Brit. If there’s a weakness with the story, it’s the intricacy, there’s almost too much backstory – this leads to too many scenes where little bits of information get doled out. The addition of well more than a dozen characters for Marsalis to tangle with make the whole novel feel long. Thankfully, there’s a perfect ending capping this thoughtfully Noir Science Fiction novel.

Tantor Audio tapped Simon Vance to voice Thirteen, he also narrated Morgan’s Market Forces. Vance brings his a growing body of experience to work with him, and manages to nail a lot of accents in this continent bounding tale. The only point I was shaken from the narrative came when Vance used what sounded like a Charlie Chan impression for a female Chinese character. So far Tantor’s had a lock on the Richard K. Morgan audiobook market so I’m hoping they’re planning on recording The Steel Remains, his forthcoming novel too.

Posted by Jesse Willis