Review of A Colder War by Charles Stross

SFFaudio Audiobook Review

Science Fiction Audiobook - A Colder War by Charles StrossA Colder War
By Charles Stross; Read by Pat Bottino
1 CD – 80 Minutes [UNABRIDGED]
Publisher: Infinivox
Published: 2005
ISBN: 1884612482
Themes: / Science Fiction / Horror / Alternate History / Politics / War / Evil / Cthulhu Mythos /

“Warning. The following briefing film is classified SECRET GOLD JULY BOOJUM. If you do not have SECRET GOLD JULY BOOJUM clearance, leave the auditorium now and report to your unit security officer for debriefing. Failing to observe this notice is an imprisonable offense. You have sixty seconds to comply.”

The biggest single threat to NATO may be the Shoggoth Gap. The wild card is Lt. Col Oliver North, President Reagan’s man. Roger Jourgensen, CIA operative, is at the center of this crisis. If all the political wrangling doesn’t work out perfectly there will be hell to pay, or worse, far, far worse.

Brilliant! Absolutely brilliant! A modern novellete in H.P. Lovecraft’s Cthulhu Mythos, rich in detail, frightening in execution! Stross’ stunning tale will pull you back into that old cold war era embalming fear and then magnify it into non-euclidian infinities. Imagine David Cronenberg directing Dr. Strangelove based on a script by H. P. Lovecraft. Imagine an alternate history in which nuclear bombs are not the ultimate weapon, but instead they are merely a stepping stone to eldritch technologies accessible through certain trans-dimentional forces first encountered in 1920s Antarctica, technologies which neither the USA nor the USSR can quite contain. Stross has admitted A Colder War is directly inspired by Lovecraft’s novel At The Mountains Of Madness. The amount of research and historical mastery Stross sprinkles throughout the narrative creates a verisimilitude necessary for truly effective alternate history. Insert the CD and then shudder in horror as the concept locks you in for the duration.

Pat Botino’s tremulous voice isn’t at all typical for professional narrators, but when it comes to subverting heroic self-assurance, he’s got no equal. Here it works extremely well. The production is loud and straight, the way I like it. A few voice effects are used to distinguish documentation bookmarks of each section. Nothing flashy, nothing distracting. I’d be satisfied if every straight reading single narration audiobook was done this way. For a while now I’ve been telling just about anyone who would listen that editor and producer Alan Kaster at Infinivox has been picking out the best modern short science fiction and tunring it into fabulously read audiobooks. This latest wave of Infinvox’s GREAT SCIENCE FICTION STORIES includes three Charles Stross audiobooks.Lobsters, Antibodies and A Colder War. Each of these is available for just $7.99 right now on the Infinivox website. There’s nary a better value on the web!

Posted by Jesse Willis

Review of Citizen of the Galaxy by Robert A. Heinlein

Science Fiction Audiobook - Citizen of the Galaxy by Robert A. HeinleinCitizen of the Galaxy
By Robert A. Heinlein; Read by Lloyd James
8 CDs – Approx. 9 Hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2004
ISBN: 0786183810
Themes: / Science Fiction / Space Travel / Sociology / Politics / Contractarianism /

SLAVE: Brought to Sargon in chains as a child — unwanted by all save a one-legged beggar — Thorby learned well the wiles of the street people and the mysterious ways of his crippled master…

OUTLAW: Hunted by the police for some unknown treasonous acts committed by his beloved owner, Thorby risked his life to deliver a dead man’s message and found himself both guest and prisoner aboard an alien spaceship…

CITIZEN: Unaware of his role in an ongoing intrigue, Thorby became one of the freest of the free in the entire galaxy as the adopted son of a noble space captain . . . until he became a captive in an interstellar prison that offered everything but the hope of escape!

Thorby’s earliest memories are of his “papa” Baslim, a professional mendicant, purchasing him at the slave market on the capital city of Sargon, a distant planet that was long ago colonized by a now space faring mankind. There Baslim teaches the rebellious Thorby the art of begging which in itself is an interesting enough trade – but Baslim also has a secret job, one that will eventually propel his adopted son all the way across the galaxy. Citizen Of The Galaxy is one of the most conceptually expansive of Heinlein’s juvenile novels, it tackles many issues including social organization, the nature of ontractarianism and most of all freedom. The society aboard the free-trader starships for example is one of the most interesting Heinlein ever invented (it would have worked as a single novel unto itself). Exploring that culture for me was the best part of the book but there were plenty of other good bits too. Of course heavy handed straw men are peppered throughout the novel to trip up our hero. This has been a big problem for Heinlein, he could never make a villain smart in any meaningful sense. Had Heinlein given us some villains along the lines of Roy Batty of Blade Runner or “The Operative” in Serenity, in other words three dimensional villains, he’d be even more luminous in reputation than he has. And that really is hard to imagine! Straw men aside, there aren’t that many interesting dilemmas for Thorby to overcome in this
one, he’s a relatively passive hero who reacts more often than he acts. As a juvenile novel it works extremely well. A great listen for teenagers and adults.

On the audio end of things Blackstone has made my wish come true! Lloyd James is becoming the definitive voice of unabridged single voiced Heinlein audiobooks. He can do both youth and adults of both sexes easily and ads accents where appropriate. Sound quality, as always these days from Blackstone, is phenomenal. The CDs had not even a hint of anything other than the voice of the text recorded on them. Well done. The original cover art on the Blackstone packaging is a triptych of Thorby from the three sections of his youth. I’ve reviewed here the “library edition” which comes in a library style clamshell binding – but also available are an MP3-CD and cassette edition as well as a retail edition on CD. Check one out in your preferred format, you’ll be glad you did.

Posted by Jesse Willis

Review of Ender’s Game: Special 20th Anniversary Edition by Orson Scott Card

Science Fiction Audiobooks - Ender's Game by Orson Scott CardEnder’s Game: Special 20th Anniversary Edition
By Orson Scott Card; Read by Stefan Rudnicki, Harlan Ellison, Gabrielle de Cuir, David Birney and a FULL CAST
9 CDs – 10.5 hours [UNABRIDGED]
Publisher: Audio Renaissance
Published: 2004
ISBN: 1593974744
Themes: / Science Fiction / War / Children / Military / Politics / Spaceships / Space Station / Aliens /

Andrew ‘Ender’ Wiggin isn’t just playing games at Battle School; he and the other children are being tested and trained in Earth’s attempt to find the military genius that the planet needs in its all-out war with an alien enemy. Ender Wiggin is six years old when his training begins. He will grow up fast. Ender’s two older siblings, Peter and Valentine, are every bit as unusual as he is, but in very different ways. Between the three of them lie the abilities to remake a world–if the world survives.

Many male children covet uniforms and the manly art of war – and on the surface that is what Ender’s Game appears to be about, a wish-fulfillment novel for the pre-teen set. But it isn’t only that. Science Fiction is an accumulative literature, perhaps more so than any other kind. Good creations stick in SF and accumulate and grow. Robots once invented, need not be reinvented. Faster than light travel, time travel or Asimov’s “three laws” are tools which once created need not be ignored as outside the scope of another SF novel, quite the contrary in fact. Simply ask yourself; in what other literature could a constructed story device like an “ansible” (invented by Ursula K. Le Guin in 1966 but used in Ender’s Game) be mentioned without renaming it? But it is not just the story props that SF shares, the concepts and themes of science fiction can never be fully appreciated in isolation. Every science fiction story is in dialogue with another.

Ender’s Game is especially engaged with two other superlative science fiction novels that preceded it, namely Robert A. Heinlein’s Starship Troopers and Joe Haldeman’s The Forever War, and like those two masterpieces of science fiction Ender’s Game has something new and unique to say. Whereas Starship Troopers can be viewed as the relationship between a teenager’s individualism and his relationship to society (a neo-Hobbesian social contract concept typical of mid-career Heinlien), and The Forever War as a discussion of that same relationship but with a college aged young man and his more skeptical worldview (the post Vietnam influence) Ender’s Game engages neither an adult’s nor a teen’s relationship to his society its war. Instead Ender’s Game is that relationship from a child’s perspective. It is also, paradoxically, not a grunt’s view of a war, as was the case with both Heinlein’s and Haldeman’s novels, but rather is about how the supreme commander of an interstellar war is created.

Orson Scott Card has not ignored the disconnect between a child’s desire to play at war and the brutal cost of killing, and the burden of ultimate responsibility. We primarily follow Ender and his classmates as they train to command Earth’s military in a genocidal war against a hostile alien threat, but the parallel story of his two siblings back on Earth compels equally. Each character in this novel is in a chess match of emotional and philosophical conflict with one another and their society. There are a few better hard science fiction stories, and a few better soft science fiction stories, but there are fewer science fiction stories as well constructed and emotionally satisfying as this one.

The 20th anniversary of the novel’s re-publication brought about this audiobook. It is regrettable that the cover art of this edition is as generic as it is because the folks at Audio Renaissance have quite literally have brought greatness to the text. They’ve included an introduction and a postscript read by Card himself, both of which place the novel and the audiobook in its context as well as enlightening us to the author’s method of its construction. Multiple readers lead by Stefan Rudnicki work perfectly to vocally illustrate each chapter, character and scene. Stefan Rudnicki, Harlan Ellison, Gabrielle De Cuir, David Birney and the rest of the readers have given us an audiobook perfectly rendered. In what is the pattern for the Enderverse novels adapted for Audio Renaissance readers trade off at the ends of chapters, and when two unplaced voices are unattributed – except by what they actually say – two actors engage in conversation. Multi voiced readings have never been better.

And so it is with great pleasure that we enter this Special 20th Anniversary edition of Ender’s Game as the first into the ranks of the SFFaudio Essential audiobooks.

Posted by Jesse Willis

Review of Shadow of the Giant by Orson Scott Card

Science Fiction Audiobooks - Shadow of the Giant by Orson Scott CardShadow of the Giant
By Orson Scott Card; Read by David Birney, Scott Brick and cast
10 CD’s – 12 hours [UNABRIDGED]
Publisher: Audio Renaissance
Published: 2005
ISBN: 1593974965
Themes: / Science Fiction / World Politics / War / Leadership /

I’ve been a fan of Orson Scott Card’s Ender series for a long time. I’ve read them all in print, some more than once. When Card started to be published in unabridged audio (a medium that Card really likes) I listened to them all, too. And I loved them again.

As I did this one. Shadow of the Giant is the fourth book in the Shadow series, which started with Ender’s Shadow, then continued with Shadow of the Hegemon and Shadow Puppets. The novels follow Ender’s jeesh – the fellow students who helped him defeat the Buggers in Ender’s Game. Ender himself is off-planet, on his way to help colonize a planet. The Battle School students that were left behind are desired by the world’s governments, since they are jockeying for position after the defeat of the common enemy.

There’s a ton of things going on before this novel even starts. It works stand-alone, though, because Card takes time to let the reader know what needs to be known before moving on.

The book basically has two fronts. First, the real-life game of Risk© that is going on between nations of the world – nations ruled by past Battle School students – and Peter Wiggin’s efforts to unify everyone under a single government.

Second is the story of Bean, Petra, and their children. In a previous book, Bean and Petra have several embryos created with hopes of being able to have a normal child. Several of them were stolen and implanted in other women with hopes of creating another brilliant person that could be under the control of others. Bean and Petra search for these women while having the child they had planned on.

The audiobook is just excellent. David Birney, Scott Brick, and others perform the book. It flows so well, and there are moments to listen to again and again, like the deeply affecting conversation between Ender and his brother Peter in the last part of the book. For a person who has followed the story from the beginning, those moments are gold – filled with both the weight of the moment and the weight of all that came before. The audio performances enhance those moments, adding another layer of depth as the actors interpret the text. This book was in the right hands.

Card says that we are not quite at the end here. According to notes on his website, the writing of this book created another story to be told. So we’ve all got that to look forward to.

Posted by Scott D. Danielson

Review of Foundation by Isaac Asimov

Science Fiction Audiobooks - Foundation by Isaac AsimovFoundation
By Isaac Asimov; Read by Scott Brick
7 CD’s, 9 hours [UNABRIDGED]
Publisher: Books on Tape
Published: 2005 (Re-issued with new narrator)
ISBN: 1415917760
Themes: / Science Fiction / Psychohistory / Galactic Empire / Energy / Science /

I could write this review in one sentence: A first-rate science fiction classic performed by a top-notch narrator. Whew! I’m exhausted. I better relax with another audiobook…

But first, a few more comments. Foundation is one of Isaac Asimov’s earliest works. One of the joys of reading this novel is recognizing it as an influence on so many other works in science fiction. Since Foundation was published, countless empires have risen and fallen in the pages of science fiction novels and on flickering movie screens. Most obviously, the latest Star Wars movie includes a visit to Coruscant, a planet that is one huge city, just like Asimov’s Trantor.

Like I, Robot, another of Asimov’s best known books, this is not a novel, but a collection of stories. The first (Book 1) is called “The Psychohistorians”, which follows Gaal Dornick as he visits the planet Trantor for the first time. Trantor is a planet completely covered in city – it serves as the capital of the Galactic Empire. Dornick visits Hari Seldon, who is under persecution for predicting the fall of the empire using psychohistory, a mathematical method for predicting probable futures for large numbers of people. The story concludes with the establishment of the Foundation, where a group of scientists will be charged with collecting all human knowledge into a great Encyclopedia.

Book Two is “The Encyclopedists”. It is 30 years after the first story, and it is here that the reader first encounters Salvor Hardin, a political rival of the mayor of Terminus, the name of the planet where the Foundation resides. The story is of a political struggle between two factions, with Hardin winning the day in grand fashion as a holographic Hari Seldon makes his first appearance to tell folks what’s really going on here.

Book Three, “The Mayors”, again stars Salvor Hardin, much later in his career. He is now being challenged as he challenged others in the previous story. Hardin has discovered that the only thing he’s got that surrounding systems don’t have is knowledge of atomics (a knowledge that has been lost at the edge of the empire). So, to keep from being attacked, he creates a sort of religion out of atomic science, trains “priests” to deal with it, and sends these priests out to threatening worlds to keep them at bay. Works great, but now there’s a challenge.

“The Traders” is Book 4, again taking place years after the previous story. Hardin is long gone, and the Foundation now is home to a sub-class called Traders, who are largely independent, but still loyal to the Foundation…

…who evolve into “The Merchant Princes”, the subject of Book 5, the longest installment. The traders have grown rich, and there’s a serious threat to the Foundation. Questions about the further validity of the “religion” are questioned, toss in some espionage, and the struggle is on.

Scott Brick does an amazing job with Asimov’s work. This first book was published in 1951, so Brick has to say things like “Great leaping galaxies!” while keeping a straight face. Apart from these occasional exclamations, the book works extremely well here in 2005. Asimov deserves his place amongst the Grand Masters of the genre, and Scott Brick’s performance adds a worthy dimension to the classic. I’m very much looking forward to hearing the rest of the trilogy.

Posted by Scott D. Danielson

Review of Dune: An Interview with Frank Herbert and David Lynch

Dune: An Interview with Frank Herbert and David LynchDune: An Interview with Frank Herbert and David Lynch
1 Cassette – Approx. 1 Hour [INTERVIEW]
Publisher: Waldentapes
Published: 1983
ISBN: 0681308958
Themes: / Interview / Science Fiction / Moviemaking / Politics / Messiah / Power structures /

After reviewing Recorded Books unabridged Dune by Frank Herbert, Jesse suggested that I listen to this cassette which contains 2 interviews. One with Frank Herbert and David Lynch, the director of the first Dune movie, and an interview with Frank Herbert alone.

The interview with Lynch and Herbert shows how pleased Herbert was with Lynch’s film. The interview was recorded before the film’s release, and Lynch expressed nervousness while Herbert expressed satisfaction, along with some discussion of the difference between film and print, and the process of getting one to the other.

To me, the interview with Herbert alone (the bulk of the cassette) was the most interesting. Of Dune he said that what he wanted was “something that showed the impact of a messiah on history as the creator of a power structure.” His theory was that a messiah creates a power structure that attracts corruptible people, no matter how well-meaning the messiah might be. This led into a discussion of how a messiah is accepted by a culture in the first place, then into the nature of the power structure a messiah leaves behind, and into how this applies to contemporary power structures in government.

Another tidbit I picked up that I didn’t know is that Herbert considered Dune, Dune, Messiah, and Children of Dune one book, with Dune, Messiah being the pivotal book. I have not read past the first novel, so now I’ve got a couple more books on my TBR pile.

The entire program was interesting enough to listen to twice. If you are a fan of Dune, find yourself a copy of this! I think you’ll enjoy it.

Posted by Scott D. Danielson