News, Reviews, and Commentary on all forms of science fiction, fantasy, and horror audio. Audiobooks, audio drama, podcasts; we discuss all of it here. Mystery, crime, and noir audio are also fair game.
Here’s Julie Hoverson’s reading of Jack London’s A Thousand Deaths, it was the first published story that London was paid for – and it’s Science Fiction. Julie recorded it for us 113 years after it’s first publication (in May 1899) and she did it specifically for your (and my) pleasure. This is a story that really deserves to be heard (and read).
A Thousand Deaths will also be the subject of an upcoming readalong!
Thanks so much Julie!
A Thousand Deaths
By Jack London; Read by Julie Hoverson
1 |MP3| – Approx. 29 Minutes [UNABRIDGED]
Provider: Julie Hoverson
Provided: May 23, 2012
First published in The Black Cat, May 1899.
Our good friend, Professor Eric S. Rabkin, is teaching one of the free summer Coursera courses. It’s entitled Fantasy and Science Fiction: The Human Mind, Our Modern World and all of the required readings, except for two of the novels, are available free online!
Here’s the official description:
Fantasy is a key term both in psychology and in the art and artifice of humanity. The things we make, including our stories, reflect, serve, and often shape our needs and desires. We see this everywhere from fairy tale to kiddie lit to myth; from “Cinderella” to Alice in Wonderland to Superman; from building a fort as a child to building ideal, planned cities as whole societies. Fantasy in ways both entertaining and practical serves our persistent needs and desires and illuminates the human mind. Fantasy expresses itself in many ways, from the comfort we feel in the godlike powers of a fairy godmother to the seductive unease we feel confronting Dracula. From a practical viewpoint, of all the fictional forms that fantasy takes, science fiction, from Frankenstein to Avatar, is the most important in our modern world because it is the only kind that explicitly recognizes the profound ways in which science and technology, those key products of the human mind, shape not only our world but our very hopes and fears. This course will explore Fantasy in general and Science Fiction in specific both as art and as insights into ourselves and our world.
This course comprises ten units. Each will include a significant reading, typically a novel or a selection of shorter works. I will offer video discussions of each of the readings and also of more general topics in art and psychology that those readings help illuminate. Each unit will include online quizzes and ask you to write a brief essay offering your own insights into the reading. In order, the units are:
Grimm — Children’s and Household Tales
Carroll — Alice’s Adventures in Wonderland and Through the Looking-Glass
Stoker — Dracula
Shelley — Frankenstein
Hawthorne & Poe — Stories and Poems
Wells — The Island of Dr. Moreau, The Invisible Man, “The Country of the Blind,” “The Star”
Burroughs & Gilman — A Princess of Mars & Herland
Bradbury — The Martian Chronicles
LeGuin — The Left Hand of Darkness
Doctorow — Little Brother
In Unit I, the specific stories are the ones in the Lucy Crane translation (1886) which was published by Dover and is available online through Project Gutenberg (http://www.gutenberg.org/ebooks/5314). In Unit V, the specific readings are: Hawthorne’s “The Birthmark,” “Rappaccini’s Daughter,” “Dr. Heidegger’s Experiment,” and “The Artist of the Beautiful“; Poe’s “The Fall of the House of Usher,” “The Tell-Tale Heart,” “The Black Cat,” “The Facts in the Case of M. Valdemar,” “The Bells,” “The Raven,” “Annabel Lee.” All the readings except Ray Bradbury’s The Martian Chronicles and Ursula K. LeGuin’s The Left Hand of Darkness will be available online at no charge.
Set in either 2026 or 1985, this story – the tale of a lonely house in California is the first that sprung to mind after I heard about Ray Bradbury’s death this morning.
Part of The Martian Chronicles, but first published in the May 6th, 1950 issue of Collier’s Weekly, the entire text of Ray Badbury’s classic There Will Come Soft Rains is viewable at UNZ.org:
There Will Come Soft Rains
By Ray Bradbury; Read by Burgess Meredith
1 |MP3| – Approx. 18 Minutes [UNABRIDGED]
Publisher: Lively Arts
Published: 1962
Product #: LA 30004
There Will Come Soft Rains
By Ray Bradbury; Read by Leonard Nimoy
1 |MP3| – Approx. 15 Minutes [UNABRIDGED]
Publisher: Caedmon
Published: 1975
Radio dramatizations:
Dimension X – There Will Come Soft Rains
Adapted by George Lefferts; Performed by a full cast
1 |MP3| – Approx. 29 Minutes [RADIO DRAMA]
Broadcaster: NBC
Broadcast: June 17, 1950
X-Minus One – There Will Come Soft Rains (and Zero Hour)
Adapted by George Lefferts; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: NBC
Broadcast: December 5, 1956
There’s only a snippet from the beginning of this one…
There Will Come Soft Rains
Adapted by Malcolm Clarke
1 |MP3| – Approx. 2 Minutes [RADIO DRAMA]
Broadcaster: BBC Radio 4
Broadcast: May 11, 1977
Wally Wood’s depiction of the house from the comic adaptation in Weird Fantasy #17:
Here’s a rather timely re-post, one based on a post prompted back in 2006 by an astronomer at the University of Hawaii. Professor Esther M. Hu, pointed me towards this reading of an Arthur C. Clarke classic, one read by Clarke himself!
Listening to it again today, and thinking about the significance of science and history of such an event, and the related event happening today, I found Clarke’s reading of The Transit Of Earth to be an incredibly moving experience.
Since then I’ve noticed that there was an introduction written for it too, which appeared in the May 1984 issue of Omni. It’s rather timely, considering that Clarke mentions today’s transit of Venus (which will be the last until 2117):
The Transit Of Earth
By Arthur C. Clarke; Read by Arthur C. Clarke
1 |MP3| – Approx. 30 Minutes [UNABRIDGED]
Publisher: Caedmon
Published: 1975
Product #: TC-1566
I posted last about Philip K. Dick’s shortest short story back in 2010. I’m reposting it because I’ve made a three page |PDF| to go with it (made from it’s first publication, Science Fiction Stories).
The Eyes Have It, is just a simple story about a literal man and the ridiculous alien invasion he imagines. It’s a silly little piece of fluff. A mere lighthearted thought experiment. Just a fun little story of no real account or import. In fact it’s barely …. wait one second … could it … ? …. what if … ? … HEY! That’s that just what they want you to think!!!
The Eyes Have It
By Philip K. Dick; Read by Gregg Margarite
1 |MP3| – Approx. 8 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: March 20, 2010
|ETEXT| A little whimsy, now and then, makes for good balance. Theoretically, you could find this type of humor anywhere. But only a topflight science-fictionist, we thought, could have written this story, in just this way…. First published in 1953 in Science Fiction Stories #1.
Jim Warren’s cover illustration for Tor Double #26 excites me:
The original illustrations, by Virgil Finlay, from the publication in Galaxy excite me:
And this episode of Escape Pod, a novella by Robert Silverberg (!) REALLY, REALLY excites me!
Escape Pod #346: Hawksbill Station
By Robert Silverberg; Read by Paul Tevis
1 |MP3| – Approx. 1 Hour 46 Minutes [UNABRIDGED]
Podcaster: Escape Pod
Podcast: May 24, 2012
First published in Galaxy, August 1967.