Five Free Favourites #5

SFFaudio Online Audio

Hi! I’m Rich, a videogame maker, musician and composer. I’ve done audio work of one kind or another for more years than I care to count (I’m actually over 400 years old -it’s a rare condition). In 2001, I co-founded Digital Eel, an indie game development group (Seattle, WA area). These days, I do design and create sfx and strange music for our games. My interest in audio drama (radio-tinged) began in the 60’s listening to Lights Out and Inner Sanctum on scratchy LP’s, but I primarily blame the Firesign Theatre and Douglas Adams for my abiding appreciation of the medium. Okay, anyhow, I picked out five SF and horror favorites from radio’s glory days for your audio perusal.  In other words, unlike things smaller than your elbow, they are safe to stick in your ears. Mostly. Enjoy!

Five Free Favourites

Oh, be sure to check out my website, Radio Tales Of The Strange & Fantastic, for more radio drama goodness…

1.
X Minus 1X Minus One: Mars is Heaven
Story by Ray Bradbury; Performed by a full cast
1 |MP3| – Approx. 28 Minutes [RADIO DRAMA]
Broadcaster: NBC Radio
Broadcast: May 8, 1955
“Mars is Heaven!”, a short story by Ray Bradbury, was first published in 1948 but remains one of the most popular science fiction stories to this day. Many will recall it from the Martian Chronicles set released two years later; a classic Bradbury collection that has never gone out of print. What will the first men on Mars find when they land there? An unwelcome alien environment? A dead lifeless place or…a place of the dead? If you like The Twilight Zone, you’ll dig this story, and the X Minus One version is one of the best.

2.
CBS Radio’s SUSPENSESuspense: Donovan’s Brain
By Curt Siodmak; Performed by a full cast
2 MP3s – [RADIO DRAMA]
Broadcaster: CBS Radio
Broadcast: May 19 & 25, 1944
Part 1 |MP3|, Part 2 |MP3|
Donovan’s Brain, the classic “brain kept alive in a jar” tale, was first published in 1942 as a novel by Curt Siodmak (whose story and screenplay for Universal’s classic monster movie, The Wolf Man, scarifyed moviegoing audiences a year before). Today, the 1953 film version is more well known but Suspense nailed it on CBS radio nine years earlier with an unforgettable one hour version directed by, and starring (not surprisingly), the formidable Orson Welles. Is it good, you ask? Does it deliver…suspense? Sure, sure, sure…

3.
Dimension XDimension X: The Roads Must Roll
By Robert A. Heinlein; Performed by
1 |MP3| – [RADIO DRAMA]
Broadcaster: NBC Radio
Broadcast: September 1, 1950
In the future depicted in The Roads Must Roll, the 1940 Nebula award-winning short story by Robert A. Heinlein, automobile, truck and train traffic had become impossibly congested and unmanageable, so the engineers have taken over and have converted roads and highways into rolling roads -similar to conveyor belts but on a massive scale- that move people and goods from place to place at speeds of up to 100 miles per hour. Hang on to your potatoes! Problem is, the technicians who keep the roads rolling are becoming increasingly dissatisfied with their status. They believe that because rolling roads are of prime importance to the nation’s infrastructure, they should be rewarded more highly than other workers. And when such issues of technological change, politics, unions and class come together, serious conflict is bound to occur…

4.
Mystery In The AirMystery In The Air: The Horla
By Guy de Maupassant; Performed by a full cast
1 |MP3| – [RADIO DRAMA]
Broadcaster: NBC Radio
Broadcast: August 21, 1947
The Horla, written in 1887 by Guy de Maupassant, is an unusual horror tale about an invisible alien entity that seeks to inhabit and control human beings. It was cited by Lovecraft as being the inspiration for his classic story, The Call of Cthulhu, and as an important forerunner to the weird
horror genre pioneered by himself, August Derleth, Clark Ashton Smith, and others, in the early-mid 20th century. This version, from Mystery in the Air (oddly, a summer replacement for the Abbott and Costello Show), benefits from a brisk script and a wonderful live performance by Peter Lorre as your weekly raging psychopath.

5.
EscapeEscape: Three Skeleton Key
Story by George Toudouze; Performed by a full cast
1 |MP3| – [RADIO DRAMA]
Broadcaster: CBS Radio
Broadcast: March 17, 1950

“Three Skeleton Key, the small rock on which the (lighthouse) stood, bore a bad reputation. It earned its name from the story of the three convicts who, escaping from Cayenne in a stolen dugout canoe, were wrecked on the rock during the night, managed to escape the sea but eventually died of hunger and thirst. When they were discovered, nothing remained but three heaps of bones, picked clean by birds. The story was that the three skeletons, gleaming with phosphorescent light, danced over the small rock, screaming…”
– from Three Skeleton Key by George Toudouze, Esquire magazine, January 1937

Creepy stuff to be sure, so what happens on they key? Terrifying events which I won’t spoil except to say that if you are afraid of a certain creature, as Indiana Jones dislikes snakes, you may find this story unsettling. But don’t fret. Vincent Price is there to hold your hand….until they come. Escape presented Three Skeleton Key many times due to audience requests. Price played the lead role at least twice. This version is generally considered to be his best performance of this play.

Posted by RC of Radio Tales of the Strange and Fantastic

Sound Affects to air: “a good horrible story” next Sunday

SFFaudio Online Audio

Sound Affects: A Radio PlaygroundJerry Stearns, host of Sound Affects: A Radio Playground, will be airing F. Paul Wilson’s “The Slasher” (which we told you about not so long ago) next Sunday evening at 9:30 on KFAI. Sez Jerry: “It’s not very SF a story, but it is a good horrible story.” Also on offer is a time travel story from the Atlanta Radio Theater Company.

In fact, the next few months on Sound Affects will be quite interesting as it’ll look something like this:

September – Crazy Dog’s “The Last Harbinger” (begins Aug. 31)

October – A War of the Worlds Month (with excerpts from many versions and ending with the 50th Anniversary Production complete)

November – ZBS’s “Dinotopia

December – ZBS’s “The World Beneath” (the sequel to Dinotopia)

Sound Affects airs on KFAI, 90.3 FM and 106.7 FM, in Minneapolis/St. Paul.
between 9:30 and 10:30 PM on Sundays (Central Time).

Posted by Jesse Willis

AUDIO REALMS: Dagon by H.P. Lovecraft

SFFaudio Online Audio

Audio RealmsBy all the demons of the sea, I have stupendously wondrous news!

Audio Realms has begun its long awaited podcast!

I don’t think there has ever been a podcast I’ve been more excited about. Each week the AR podcast will present tales from their truly awesome audiobook catalogue. Future releases, all in unabridged form, will also include “interviews, related news and preview clips of upcoming productions.” Expect to hear short stories and “full length productions in serialized segments.” Authors in the Audio Realms catalog include: H.P. Lovecraft, Robert E. Howard, Michael Moorcock, Edgar Rice Burroughs, Andre Norton and Lin Carter! Check out the first podcast, taken from The Dark Worlds Of H. P. Lovecraft, Volume 2. I’m of the opinion that it will forever be the DEFINITIVE reading of…

The Dark Worlds Of H.P. Lovecraft Volume 2Dagon
By H.P. Lovecraft; Read by Wayne June
1 |MP3| – Approx. 16 Minutes [UNABRIDGED]
Podcaster: Audio Realms Podcast
Podcast: August 12th 2008
The testament of a tortured, morphine-addicted man who plans to commit suicide over an incident that occurred early on in World War I when he was a merchant marine officer.

Subscribe to the podcast feed:

http://www.audiorealms.com/audiorealmspodcast.rss

Posted by Jesse Willis

Transmissions From Beyond – podcasting Interzone, Black Static and Crimewave stories

SFFaudio Online Audio

Transmissions From Beyond - the TTA Press podcastLongtime friend of SFFaudio, Paul S. Jenkins, alters us to the existence of the new TTA Press fiction podcast: Transmissions From Beyond. This podcast gets its stories from the pages of three TTA Press magazines:

Interzone (Science Fiction and Fantasy), Black Static (Horror), and Crimewave (Crime and Mystery). Their launch this month includes one story from each magazine! Check em out…

A Handful Of Dust by Ian R. FaulknerA Handful of Dust
By Ian R. Faulkner; Read by John Berlyne
1 |MP3| – Approx. 24 Minutes [UNABRIDGED]
Podcaster: Transmissions From Beyond
Podcast: August 2nd 2008
From Crimewave #9: Transgressions.


Lady Of The Crows by Tim CassonLady Of The Crows
By Tim Casson; Read by Paul S. Jenkins
1 |MP3| – Approx. 45 Minutes [UNABRIDGED]
Podcaster: Transmissions From Beyond
Podcast: August 2nd 2008
This story was published in Black Static #1.


The Algorithm by Tim AkersThe Algorithm
By Tim Akers; Read by John Berlyne
1 |MP3| – 53 Minutes [UNABRIDGED]
Podcaster: Transmissions From Beyond
Podcast: August 2nd 2008
From Interzone #212.

And, upcoming podcasts will include stories from authors: Greg Egan, Marion Arnott and Mercurio D. Rivera. Subscribe to the podcast via this feed:

http://www.transmissionsfrombeyond.com/feed

Posted by Jesse Willis

2 Classic Frederik Pohl tales narrated by Spider Robinson

SFFaudio Online Audio

Spider On The Web - Spider Robinson’s podcastSpider On The Web has some amazing content for us this month. Disappointed at the number of short stories available in audio form Spider Robinson has a plan to solve this. He’s sought out and received permission to read some of his favorite SF short stories. Stories from some of the most influential SF writers of all time! The first is what Spider Robinson describes as “what very well may be the ultimate science fiction short story.” Folks, he ain’t just blowing smoke with that line. Frederick Pohl’s 1966 short story Day Million is a real contender for that accolade! Influential as hell, short, amazing, stunningly futuristic and still modern (except in addressing its audience). A tale will blow your mind! The second story by Pohl, We Purchased People, first published in 1973, has even more taboos broken in it. In fact, far more taboos in are broken in We Purchased People than you can shake any unmentionable body part at. This one was entirely new to me, but upon reflection I think it may be just as powerful. Frankly, it’s more frightening than hell. Science Fiction as Horror.

Day Million and We Purchased People by Frederik PohlDay Million and We Purchased People
By Frederik Pohl; Read by Spider Robinson
1 |MP3| – Approx. 67 Minutes [UNABRIDGED]
Podcast: Spider On The Web
Podcaster: August 2008

Here’s the podcast feed:

http://www.spiderrobinson.com/iTunes_feed.xml

Posted by Jesse Willis

Review of The Dark Worlds of H.P. Lovecraft, Volume 5 by H.P. Lovecraft

SFFaudio Review

Horror Audiobooks - The Dark Worlds of H.P. Lovecraft, Volume 5The Dark Worlds of H.P. Lovecraft Volume 5: Haunter Of The Dark, The Thing On The Doorstep, The Lurking Fear
By H.P. Lovecraft; Read by Wayne June
3 CDs – 3 Hours 20 Minutes [UNABRIDGED]
Publisher: Audio Realms
Published: April 2006
ISBN: 9781897304259
Themes: / Horror / Science Fiction / Collection / Heredity / Supernatural /

I have seen the dark universe yawning
Where the dark planets roll without aim–
Where they roll in their horror unheeded,
Without knowledge or luster or name.
–HP Lovecraft, “The Haunter of the Dark”

Seminal horror author H.P. Lovecraft may have a loyal following, but he also gets a lot of flak for his style–which some describe as overly archaic and distractingly adjective-laced–or by those who approach his short stories looking for a scare, but leave disappointed that he’s not frightening enough.

I think both points have some validity though largely I don’t agree with them. I love Lovecraft’s style, mainly because it’s so darn unique: All it takes is one or two sentences and you know exactly who you’re reading. It also perfectly fits the atmospheric, slow-to-build horror for which he’s known. As for the second criticism, Lovecraft really doesn’t scare me, either. You’re not going to get nasty shocks out of his stories, though I would describe them as occasionally unsettling: He can deliver a good chill and at times evoke strong feelings of dread.

But people who pick up Lovecraft for simple scares are missing the boat. Think of him instead as a dark spinner of stories set in a detailed and grotesque universe of his own creation, a world of dark cults, evil tomes, ancient curses, and formless, tentacled monsters from space. His subject material is just plain cool. Also, Lovecraft has the ability to draw you effortlessly back in time. Born in 1890, Lovecraft set his stories in the 1920s and 30s, when America was a bit wilder and stranger than the place we know today, a country of deeper woods and darker mountains and strange phenomena that science had not explained away.

With that in mind, it’s no surprise that I enjoyed the heck out of The Dark Worlds of H.P. Lovecraft, Volume 5, an audiobook read by Wayne June. The 3 CD set contains three Lovecraft short stories: “The Lurking Fear,” “Haunter of the Dark,” and “The Thing on the Doorstep.” I’ve read quite a bit of Lovecraft, but this was the first time I’ve ever had his tales read to me, and it was a very enjoyable, immersive experience.

All three stories are excellent. “Haunter of the Dark” tells the story of Robert Blake, a horror writer/artist who becomes obsessed over a far off, decrepit church spire spied from his rented studio window. Blake’s investigation reveals the place to be an abandoned, ruined church once used by a dark cult, and now inhabited by something far, far worse.

The best of the three tales is probably “The Thing on the Doorstep,” which features full-blown Lovecraftian goodness. The tale is set in the famous, fictional town of Arkham, and involves Arkham University, the Necronomicon and other assorted monstrous tomes, a strange intermingled race of men and fish-like deep ones, mind control, a descent into an unholy pit “where the black realm begins and the watcher guards the gate,” and much, much more. Although I’ve never read a Lovecraft biography (a fact I hope to rectify soon), I couldn’t help but draw parallels between the author and Edward Derby, the protagonist and victim of the tale. I would imagine that essayists looking to peer inside Lovecraft’s mind have veritable a goldmine to draw from in “The Thing on the Doorstep.”

“The Lurking Fear” is the most straightforward horror tale of the three and explores one of Lovecraft’s recurrent themes, that of cursed blood and hereditary corruption. Here an investigator of the supernatural looks into a strange massacre in the mountainous Catskills region of New York, where a deserted mansion holds the key to an unspoken horror living beneath the earth. The terrors he uncovers leave him a gibbering wreck at stories’ end, a common fate for Lovecraft’s narrators.

Reader Wayne June deserves a lot of praise for delivering the stories with a smoky, menacing, baritone voice perfectly suited to the tales. My only criticism is that I wanted to hear him scream the line, Kamog! Kamog! — The pit of the shoggoths–Ia! Shub-Niggurath! The Goat with a Thousand Young! in “The Thing on the Doorstep,” but he chose to deliver it with a half-whispered shout. But it’s probably for the best, I guess, as hearing such unutterable phrases spoken aloud may have fractured my sanity, or worse, stirred Something That Should Not Be from its uneasy sleep.

Posted by Brian Murphy