humor – Page 12

Streets Of Staccato: Interview with The Zombie Astronaut

Monday, November 15, 2010Tuesday, November 16, 2010 Jesse Willis

Aural Noir: Online Audio

The latest episode of Streets Of Staccato podcast, is a short interview with W. Ralph Walters (aka The Zombie Astronaut)!

The mastermind behind SOS is Victor Gates, he asks ZA about the original Zombie Astronaut blog (which was totally awesome by the way) and his inspiration for his terrific podcast spin-off, The Frequency Of Fear (and the FOF-lite). Apparently FOF was inspired by an offhand email by a certain genius named Jesse Willis. Score!

As for Streets Of Staccato podcast, it too is a spin-off, this time of the Frequency Of Fear. SOS features the titular mustachioed douche, Sergeant Staccato, and his crew of fellow cops. Really the show is much like an audio drama version of Sledge Hammer!, a total parody of those “cop on the edge” dramas that started with Dirty Harry. Staccato, though, is more like a cop off the edge, down on t.

The interview also gives us the straight poop about the voice acting phenom named Elie Hirschman, he who voices Sgt. Staccato. Have a listen.

|MP3|

Podcast feed:

http://streetsofstaccato.com/podcasts-only/rss2.aspx

Posted by Jesse Willis

The SFFaudio Podcast #081 – AUDIOBOOK: The Code Of The Poodles by James Powell

Podcast

The SFFaudio Podcast #081 – Featuring a complete and unabridged reading of The Code Of The Poodles by James Powell!

This is a humorous FANTASY/CRIME story from one of the best in the business, James Powell. Check out our talk with Powell (in SFFaudio Podcast #020) and his first published story, The Friends Of Hector Jouvet (in SFFaudio Podcast #030).

The Code Of The Poodles comes to us courtesy of James Powell himself. Thanks James! Powell’s recently published collection of short stories, A Pocketful of Noses: Stories of One Galnelon or Another, is available through the publisher, Crippen & Landru, and many online book retailers.

Thanks also to the terrific J.J. Campanella for the excellent narration. Be sure to check out Campanella’s own terrific HUMOR/CRIME story Hamlet And Eggs |HERE|.

The Code Of The Poodles
By James Powell; Read by J.J. Campanella
1 |MP3| – Approx. 23 Minutes [UNABRIDGED]
Podcaster: The SFFaudio Podcast
Podcast: November 2010
In her will Aunt Flora left all her money, her house and estate to the care of Peaches Mimosa, her miniature apricot poodle. Her nephew Toby hasn’t a legal leg to stand on, not unless he can get a psychiatrist to declare Peaches’ guardian non compos mentis. But Peaches, never one to let things lie, has a few plans of her own. First published in the October 1990 issue of Ellery Queen’s Mystery Magazine.

Posted by Jesse Willis

Aural Noir review of Downtown by Ed McBain

Friday, October 15, 2010Monday, August 15, 2011 admin

Aural Noir: Review

Here’s the first review by a long time internet ally, fellow proponent of all things Donald E. Westlake, and soon a guest on The SFFaudio Podcast.

SFFaudio Essential Downtown
By Ed McBain; Read by Michael Prichard
8 Cassettes – Approx. 8 Hours [UNABRIDGED]
Publisher: Books On Tape
Published: 1992
ISBN: 0736621423
Themes: / Crime / New York / Humor / Murder / Mistaken Identity /

Michael Barnes is in New York on business. He has a couple of hours to kill before his plane leaves. It’s Christmas Eve. When he stops for a drink, he finds a young woman very attracted to him. He swells with masculine pride. But soon Michael’s wallet and then his rented car are stolen – only to resurface on the other side of town in unexpected company – a corpse!

There’s nothing quite like picking up a book (metaphorically) you’ve never heard of and know nothing about and discovering that you’ve stumbled across a classic. This was my experience with Ed McBain’s Downtown.

A classic? Strong words, there, Trent. But I mean it. I just recently read Donald Westlake’s The Hot Rock, which I loved and which is considered the classic comic crime novel. Downtown is nearly if not just as good (although very different).

Our protagonist is Michael Barnes, an orange-grower from Florida who is about to fly out of New York City on Christmas Eve, after a meeting with his advertising agency, when he gets hustled by a gorgeous woman and her fake police detective accomplice in an airport bar. His drivers license, credit cards, and money now gone, he goes downtown to report the crime to the police, getting his rental car stolen along the way. From there, he ends up on the lam accused of murder, running hither and thither meeting all sorts of strange people and ending up in all sorts of strange situations as he tries to figure out just what the hell is going on.

Tempering this craziness is the fact that Michael Barnes has some serious emotional baggage–he’s a cuckold and bitter about it, has issues with his mother, and was scarred by his combat experience in Vietnam (although he’s not an offensive psycho stereotype, thank God). These emotional scars are played upon masterfully by McBain, for dark humor or for grounding moments of pathos as appropriate, and they give Downtown a humanity that makes the whole farce unexpectedly powerful.

I don’t know why Downtown isn’t better known. Maybe Ed McBain just pumped out so many books that lots of his stuff falls through the cracks while readers get stuck trying to read the 87th Precinct and Matthew Hope novels in order. Maybe it’s because nobody made a movie out of it (although see below). Maybe, and this is a strong possibility, the style of humor doesn’t appeal to a broad enough audience.

Whatever the reason, Downtown deserves much better than obscurity. It’s clever, witty, touching, and terrific.

That’s the book review portion of this write-up, but I don’t want to end without bringing up something that struck me while listening to Downtown.

With a movie director figuring prominently in the plot, Downtown is loaded with film references (including to Evan Hunter/Ed McBain films The Birds and Fuzz). A movie not mentioned is one that Downtown bears a great resemblance to–Martin Scorsese’s After Hours.

If you’re not familiar with this film (too few people are), After Hours is a comedy about a fairly-average Joe who meets all sorts of strange people and ends up in all sorts of strange situations in late-night Manhattan. Oh, and he also gets accused of a crime he didn’t commit.

The setting and several story elements in After Hours are very similar to Downtown. The style of humor (dry with repetitive absurdity) also bears a marked resemblance. Both even feature prominent references to The Wizard Of Oz.

Coincidence? Homage? Rip-off (I doubt that)? Subconscious borrowing? We’ll likely never know. But if you liked After Hours, you’ll probably like Downtown, and vice versa. And if you’re not familiar with either, do yourself a favor and check them both out.

I listened to the 1992 edition of Downtown from Books on Tape, read by Michael Prichard. When I started the book, I thought his reading was stiff, but I quickly recognized that he had done a great job capturing the somewhat-uptight, neurotic lead character. Mr. Prichard is also quite skilled in creating voices to distinguish the many other characters without resorting to ridiculous exaggerations or outrageous accents (in a book with a lot of ethnic characters, no less). Downtown is written in a highly rhythmic style, with lots of short sentences and lots of repetition. Prichard grasps this and captures the novel’s rhythms superbly. It’s a really good reading.

There are two other editions of Downtown (both available at Audible.com), an abridged version from Phoenix Books read by Stephen Macht and an unabridged version from Brilliance Audio read by David Regal. For the sake of comparison, I listened to the available samples of both.

Downtown is a lousy candidate for abridgment, but even if it wasn’t I wouldn’t care for Stephen Macht’s reading, which is overdramatic.

David Regal’s reading is considerably better. His interpretation is quite different from Michael Prichard’s, making Michael Barnes sound like a traveling salesman. I would have to hear more to have a real sense of how well this works but I heard enough that I think I can judge it a solid effort. Go with the Books on Tape edition if you can find it, but if you can’t, Regal’s version will likely do as a substitute.

Posted by Trent Reynolds

Review of The Loving Dead by Amelia Beamer

Thursday, October 7, 2010 Jesse Willis

SFFaudio Review

The Loving Dead
By Amelia Beamer; Read by Emily Durante
7 CDs or 1 MP3-CD – Approx. 8 Hours [UNABRIDGED]
Publisher: Brilliance Audio
Published: July 2010
ISBN: 9781441868343 (cd), 9781441868367 (mp3-cd)
Themes: / Horror / Zombies / Sex / Airships / Humor / San Fransisco / California /

Kate and Michael, twenty-something housemates working at the same Trader Joe’s supermarket, are thoroughly screwed when people start turning into zombies at their house party in the Oakland hills. The zombie plague is a sexually transmitted disease, turning its victims into shambling, horny, voracious killers. Thrust into extremes by the unfolding tragedy, Kate and Michael are forced to confront the decisions they’ve made, and their fears of commitment, while trying to stay alive. Michael convinces Kate to meet him in the one place in the Bay Area that’s likely to be safe and secure from the zombie hordes: Alcatraz. But can they stay human long enough?

Beamer creates scenes, and cuts adequately between them, but when confronted by the surrealistic circumstances she provides (like being trapped in a Zeppelin bathroom with two lesbian zombies) her characters seem more like emotional marionettes, than like real people. It’s almost as if Beamer was actually role-playing a series of improvised scenarios, rather than plotting it out like a novel. When one of the characters discovers that these zombies respond to the crack of a whip, for example, Kate downloads an “Indiana Jones App” to her iPhone and subdues them with it. Clever? Sure. Novelistic? Notsomuch. Thus the tension of a zombie confrontation – will she or won’t she be able to get 3G service high above Oakland – isn’t very satisfying.

Shortly after this audiobook arrived I listened to it’s author, Amelia Beamer, being interviewed on the SFSignal Podcast #006. She talked about how she found the relentlessness of zombies almost endearing. It was a neat idea. And then she said she intended it to be a romantic comedy with zombies. And that was enough to put it in my bathroom audiobook stack. So, for the last week or so I’ve been brushing and flossing my teeth to this novel. I didn’t go in expecting much other than zombies and loving and a few laughs. It has the first two. The loving is actually sex and the zombies are less dead and rotting than they are contagious and sex crazed. If you did a count you’d probably find as many individuated zombies as there are sex scenes. Come to think of it there were probably about just as many tattoos as there were sex scenes and zombies. Where this novel really doesn’t fulfill it’s promise is in the humor department. I didn’t laugh, or smile, or even smirk. Thinking about it, it wasn’t that there were jokes and they weren’t funny, but rather I that the humor was supposed to come from the absurd situational specifics and the slacker/poser cast’s bumbling their way through it all. It has relationships, and people thinking about their relationships, and it has some zombies but I didn’t find it funny.

Getting into specifics now – there’s something odd going on with the meta-Americanness, or rather some subset of it, within the novel’s characters and setting. Even though both Kate and Michael both pretty quickly recognize the infected as zombies, Beamer’s characters seem highly reticent to kill them. Instead they far prefer restraining their wrists, sitting on them – any form of bondage – as in, tie them up or tie them down. Yeah … well … okay. So, I have to think that, in combination with the whips, and the sex and all the tattoos, that taken as a whole this is not so much a zombie novel as a kind of contemporary fiction novel, set in a slacker BDSM San Fransisco subculture, with some zombie additions. Maybe that’s what I signed up for, but I was wrong to do so.

At first I liked some of the references to local stores and products. This is something that is done far too little in most fiction, as far as I’m concerned. It’s one of the things I like most about William Gibson’s prose, he has a reverence to specifics. But as it all went on in The Loving Dead, and as the characters repeatedly reminded each other that they’d read Max Brooks (World War Z |READ OUR REVIEW|), worked at Trader Joe’s or Whole Foods, it seemed like it wasn’t so much fun – instead it became increasingly clear that it was what was on their minds all the time. It seemed like the real zombies in this audiobook were the characters, living their quiet lives of desperate consumption, performing a narrative for themselves and expressing it in text messages. If I believed in a soul I’d call it a soul-numbing audiobook.

On the final disc we get a flash cut to ten years after the zombie apocalypse first hits. It’s an interesting experiment, to take a doomsday scenario way down the road and see what life is like in the aftermath. One of the redeeming features, of David Moody’s otherwise lackluster Hater |READ OUR REVIEW|, is also in The Loving Dead too. The author takes one significant aspect of a premise to it’s logical and (hopefully inevitable) conclusion. As such, it has some novelty value if only for that. For some true vanilla zombie goodness I’ll get back to reading Robert Kirkman’s The Walking Dead.

Narrator Emily Durante, a new voice to my ears, is a good reader, I can see that, even despite my not loving The Loving Dead, she provided a steady voice to a patchy and punctuated narrative.

Posted by Jesse Willis

The SFFaudio Podcast #072 – READALONG: Assam And Darjeeling by T.M. Camp

Podcast

The SFFaudio Podcast #072 – Jesse and Scott talk with Julie Davis, of the Forgotten Classics podcast about Assam And Darjeeling by T.M. Camp |READ OUR REVIEW|.

Talked about on today’s show:
Assam & Darjeeling by T.M. Camp, Podiobooks.com, iTunes, serialized fiction, entertaining copyright notices, where do you do your podcast listening?, I’ve got my hands full of car, the volume on Assam And Darjeeling is way too low!, remastering Assam And Darjeeling for audiobook, listening to podcasts at double speed (only on iTouch and iPhone), the premise of Assam And Darjeeling, Hades, the underworld, Inferno by Larry Niven and Jerry Pournelle |READ OUR REVIEW|, Escape From Hell by Larry Niven and Jerry Pournelle , The Divine Comedy: The Inferno by Dante Alighieri, Virgil’s The Aeneid, Ovid, the Brothers Grimm, witches, Greek Mythology, Edgar, no one can be as cruel as a kid, Joss Whedon, in the hands of a skillful author, Matters Of Mortology by T.M. Camp, Kij Johnson‘s The Fox Woman, the Black Gate blog, foxes in mythology, Aesop’s Fable The Fox And The Grapes, Cernunnos, Herne the Hunter, making the switch from comedy to horror and horror to comedy, the Shaggy Man (in the Oz series), Tom Bombadil, he has psychic powers too?, page 18, masterly dialogue put into the mouths of young children, the PDF version of Assam And Darjeeling, What Dreams May Come by Richard Matheson, life after death, Inception, Edgar Alan Poe should go into the underworld to get his wife Virginia, The Memory Palace episode about Edgar Allan Poe’s death (Episode 20 strong>This Ungainly Fowl), This American Life is really bleak, WNYC’s Radiolab isn’t, general fiction is generally bleak, A Good Man Is Hard To Find by Flannery O’Connor, Science Fiction vs. general fiction, Social Science Fiction, Science Fiction has a second layer, it’s not all style, The Cold Equations by Tom Godwin, Staggerford by Jon Hassler, there are ways to tell powerful stories, A Man In Full by Tom Wolfe, Bangsian Fantasy, Fantasy, re-reading The Lord Of The Rings, the more I think about it the more I think I don’t like Fantasy, SFSite.com, derivative Fantasy, romance novels, Jane Austen, John Thorne, The Long Walk by Stephen King (Richard Bachman), The Stand, It, Salem’s Lot, The Shining, Under The Dome, Shirley Jackson, Ray Bradbury, long vs. short, The Cell by Stephen King, 28 Days Later, Desperation by Stephen King, The Rapture, if you were a character in this book who would you be?, the rule that makes any book better: talk about food, Lawrence Block, the economy of the afterworld, lampshading, I’m done with sequels, Mike Resnick’s Starship series, Jim Butcher’s Dresden series, The Fall Of Hyperion by Dan Simmons, Make Room, Make Room by Harry Harrison, Soylent Green, Adventures by Mike Resnick, mammoths vs. mastodons, Brave New World by Aldous Huxley, Nineteen Eighty-Four by George Orwell, The Star Beast by Robert A. Heinlein, The Great Gatsby by F. Scott Fitzgerald, The Scarlet Letter by Nathaniel Hawthorne.

Posted by Jesse Willis

LibriVox: The Wrong Box by Robert Louis Stevenson and Lloyd Osbourne

Saturday, July 31, 2010Sunday, August 1, 2010 Jesse Willis

Aural Noir: Online Audio

LibriVox Robert Louis Stevenson wrote The Wrong Box with his stepson, Lloyd Osbourne. This is the same kid whose drawing had inspired Treasure Island seven years earlier. Interestingly, it was published while Stephenson (age 39), and Osbourne (age 21), were traveling in Polynesia. Here is an 1888 photograph of Lloyd Osbourne and Robert Louis Stevenson in Tahiti (Osbourne is standing, Stevenson is seated):

Lloyd Osbourne and Robert Louis Stevenson in Tahiti, 1888

Of The Wrong Box, Rudyard Kipling wrote:

“I have got R.L. Stevenson’s [The Wrong Box] and laughed over it dementedly when I read it. That man has only one lung but he makes you laugh with all your whole inside.”

Indeed, as the RLS website describes The Wrong Box as “a humorous tale of misunderstandings, drunkenness, attempted fraud, false identities and other mishaps.” After having watched a scratchy old VHS copy of the movie I discovered this audiobook on LibriVox! I am enjoying it immensely. This enjoyment is assisted by its wonderful narrator. Andy Minter has a very appropriate accent for both the text and the telling.

The Wrong Box
By Robert Louis Stevenson and Lloyd Osbourne; Read by Andy Minter
1 |M4B|, 16 Zipped MP3 Files or Podcast – Approx. 6 Hours 20 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: September 14, 2008
The Wrong Box is a comedy about the ending of a tontine (a tontine is an arrangement whereby a number of young people subscribe to a fund which is then closed and invested until all but one of the subscribers have died. That last subscriber then receives the whole of the proceeds). The story involves the last two such survivors and their relations, a train crash, missing uncles, surplus dead bodies and innocent bystanders. A farce really.