The SFFaudio Podcast #518 – First podcast in 2013, in six separate installments, The Destiny Of Special Agent Ace Galaksi is an audio drama series that weaves its way through the annals of time and the wormholes of space. This new podcast edition strings them all together into one vast adventure.
Over the six episodes CSIS Special Agent Ace Galaksi’s investigations will conclude that Earth has been playing host to shape changing alien visitors since the planet was so young it was still getting the hang of spinning – and that some of those visitors left artifacts behind.
Certain peculiarities about the artifacts lead Ace to some startling discoveries about the very nature of existence. Unfortunately Ace Galaksi’s destiny is unclear as to whether or not he’ll be able to stay ahead of a co-ordinated plan by world governments to ensure he keeps his findings to himself – permanently.
Series written by: Maissa Bessada
Produced by: Leslie Bertin & Maissa Bessada
Directed by: Martin Buote
Audio Production by: Simon Bowers, Skylight Studios Toronto
Ace Galaksi: Gord Mayer
Editor Giant Book of Destiny: Michelle Cote
Copy Aid: Erik Blohm-Gagné
Fran: Elise Blohm-Gagné
Yasmeen Stanislavski: Maissa Bessada
Chief: JC Paquet
Episode 1 Hoaxes And Crackpot Allegations
Akhenaten Jones: Erik Blohm-Gagné
Stan: William Patton
Mrs. Jones: Cindy Hirschberg-Schon
Waiter: JC Paquet
Episode 2 Startling Discoveries
Stefan/Lightning/Caller 2: Martin Buote
Steven/Tony/Caller 1: William Patton
Sue: Liisa Kallasmaa-Davis
The Marching band on Traa Laa Laa were The Scarlet Brigade Marching and Concert Band, playing The Screamer by Frederick Alton Jewell
Episode 3 Tempest In A Tennis Ball
Karen Footglome: Madeleine Patton
Captain: William Patton
Ensign: Erik Blohm-Gagné
Fred/Cabby: JC Pacquet
Hospital V.O./Ship V.O.: Liisa Kallasmaa-Davis
Music in Yasmeen’s apartment I Knew A Guy, Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/
Groovy tune in Karen’s headphones: Stuck In the Middle, Courtesy of The Elwins
Cracked horn played by Katie Toksoy
Episode 4 Answering One Of Life’s Great Questions
Willy Hornsloff/Guide: Martin Buote
Pharaoh: William Patton
Alex Van Djik: Erik Blohm-Gagné
Bashir/Grey Alien: Elise Blohm-Gagné
Jenny/Square Dance Caller: Liisa Kallasmaa-Davis
Palace music, Mighty & Meek Kevin MacLeod (incompetech.com)
Episode 5 Hidden Treasure
Bashir: Elise Blohm-Gagné
Jacob Splee/FBI Chief/Cust 2: Martin Buote
Alex/Old Man/Cop: Erik Blohm-Gagné
Stella Schwarz: Liisa Kallasmaa-Davis
KGB Agent: Cindy Hirschberg-Schon
Cashier: Michelle Cote
Music inside tomb Arcadia and action background music Clenched by Kevin MacLeod (incomptech.com)
Episode 6 Cairo The (Sometimes) Floating Dog
Frank Figgledeedee: Martin Buote
Maddy: Madeleine Patton
Al/Rajinder: Erik Blohm-Gagné
Mary A/ Maddy’s Mother Cindy Hirschberg-Schon
Stella/Mary H/Eduardo/Phoenix: Liisa Kallasmaa-Davis
Kid: Elise Blohm-Gagné
Sandy: Michelle Cote
The SFFaudio Podcast #379 – Jesse and Maissa Bessada talk about A Walk Among The Tombstones by Lawrence Block.
Talked about on today’s show:
1992, a controversial book, hey ladies (!), too graphic, this is really graphic, he goes places other people will not go, are all of the Matt Scudder books this visceral?, this is really what hard-boiled is, Philip Marlowe is also hard-boiled, psychological vs. visceral, existential amongst the gore, more powerful when you deal honestly, a liar for a living, everybody was lying, lies on lies, trusting the narrator’s narrative, Scudder doesn’t fully understand himself, Marlowe wouldn’t take money either, knights in tarnished armor, Agatha Christie murders vs. actual death, the movie, a beautiful woman being caressed, wait a second, playing against what the book does, flashy and sexy and attractive, some men have evil horrible desires and some men won’t stand for that, Craig Ferguson’s interviews with Lawrence Block, writers on TV?, there’s something really special about this book, Hollywood is afraid of the wrong things, why did they change the character’s name and skin color, they did it because they’re racist, having a sympathetic criminal who is an arab, TJ, Elaine, Mick Ballou, the arab market, a busty dark haired beauty, the movie is so much easier to digest than the book, they couldn’t show what you read, he can’t be saying that, so horrible, going against reality, superheroes, Daredevil and Jessica Jones, this felt real, Tarantino movies, the Bernie Rhodenbarr series, fun and light, he’s a writing machine, the Evan Tanner series, a member of every revolutionary movement on the planet, he’s an amazing writer, a really great writer, living with the character, AA meetings, shorthand for the psychology, earlier in the series, like we’re his sponsor, seamless, TJ is weakened in the movie, sympathy understanding and comprehension, a through-line direct, TJ in the book is a modern kid, a hustler, he knows how to get stuff done, moving the story to 1999, voicemail, call forwarding, beepers, memory lane, why are there so many water-mains bursting, the 1% of the 1%, collapsing infrastructure, a little time-capsule, close but far away, Matthew Scudder ages with the books, the Keller series, Hitman is a fix-up novel, it was a great book and had a lot of power, Robert Pickton, institutions can’t help you, if you’re a hooker or a homeless person or a kid on the run from his or her parents you can’t go to the police, Pam’s story, “Pammie”, horrible human evil, experiences with police, mainstream television, television shows about justice, the FBI, it’s the system, the morality that we normally think about, following the law, you’re a number in a system, I don’t need to rely on societies rules, law breaking, murder, we’re all okay with that, superheroes are the opposite way of going, you never see Spider-man on the witness stand, Superman stopping a crashing airplane is more plausible than the Joker being jailed by Batman, down a superhero rabbit hole, in cahoots with the police, the idealized justice system is a fantasy, the criminals were the sweetest characters, how they did it in the movie, avoiding the moral lessons of the book, Peter’s suicide, Keenan’s divine retribution, I have to tell you – you don’t have to listen, the cutter, I was glad that he did it, they brought a 14 year old girl into it, she’s missing two fingers, okay – that’s fine – go ahead, tell what he had done, Elaine and Scudder go to plays and movies, Mother Courage, agitprop, breaking the fourth wall, wanting you upset, PAY ATTENTION, be mad, be upset, a Croatian movie, thinking about Raymond Chandler, no one to be consoled by, he’s got a cat, dropping Elaine drops so much of the value, moral weirdness, there’s so much grey here, what Elaine does for Pam, what Lawrence Block does, a lot of guys will dig that, violence as entertainment to be shared, Debra Winger in Black Widow, if this was a movie, TV-movies, 15 minutes of allotted fame, Goodreads review, wrapped packages of meat, an unsettling book, it’s happening right now out there in the world, murdered and missing women, it’s so easy, reading this book is agreeing to get in the van, Julie saw what is in the van and wouldn’t get in, the Japanese TV miniseries version of The Long Goodbye, the drinking doesn’t have consequences, junkie thinking, Keenan basically killed his brother, steal his wallet and help him try to find it, victims without vengeance, anti-humane language, damn the costs damn the consequences, his Phoenician ancestors, a drug trafficker and a junkie, be broken somewhere, the backstory, the movie shorthand, the affair, Keenan and Peter’s story were undermined in the film, the death of Peter makes Matt a hero, they turned it into a Hollywood movie, the betrayal, breaking the solidarity, Francine is faithful and loving, she never bought TV-dinners, his little glass doll, the cemetery subplot, at the end of this book we get the sense that TJ will become the real true apprentice, he’s not a character – he’s a person, in conversation Matt always gives a short honest response, he’s trying to be real, he needed to walk, the street was a character, the cover for the original audiobook, hate (and love) for Mark Hammer’s narration, a slow wondrous narration, the best cover art, Liam Neeson walking, all those tall buildings all over New York is a walk among the tombstones, a really good title, “I don’t like to do a lot of research”, whenever you read a Lawrence Block book, he does this amazing thing, the Chip Harrison books are sex-adventures, pornography books, Rex Stout’s Nero Wolfe, Lawrence Block talks about a lot of other books (in his books), a big fat guy with a giant brain, a wonderful A&E series with Maury Chaykin playing Nero Wolfe, such a fun writer, Eight Million Ways To Die, Andy Garcia and Jeff Bridges, Burglars Can’t Be Choosers, I learned something, code 5 supersedes and countermands your standing instructions.
Also available is a |PDF| made from a scan of the original publication in Future Science Fiction, February 1958.
And here is the complete text:
Silly Asses by Isaac Asimov
Naron of the long-lived Rigellian race was the fourth of his line to keep the galactic records.
He had a large book which contained the list of the numerous races throughout the galaxies that had developed intelligence, and the much smaller book that listed those races that had reached maturity and had qualified for the Galactic Federation. In the first book, a number of those listed were crossed out; those that, for one reason or another, had failed. Misfortune, biochemical or biophysical shortcomings, social maladjustment took their toll. In the smaller book, however, no member listed had yet blanked out.
And now Naron, large and incredibly ancient, looked up as a messenger approached.
“Naron,” said the messenger. “Great One!”
“Well, well, what is it? Less ceremony.”
“Another group of organisms has attained maturity.”
“Excellent. Excellent. They are coming up quickly now. Scarcely a year passes without a new one. And who are these?”
The messenger gave the code number of the galaxy and the coordinates of the world within it.
“Ah, yes,” said Naron. “I know the world.” And in flowing script he noted it in the first book and transferred its name into the second, using, as was customary, the name by which the planet was known to the largest fraction of its populace. He wrote: Earth.
He said, “These new creatures have set a record. No other group has passed from intelligence to maturity so quickly. No mistake, I hope.”
“None, sir,” said the messenger.
“They have attained to thermonuclear power, have they?”
“Well, thats the criterion.” Naron chuckled. “And soon their ships will probe out and contact the Federation.”
“Actually, Great One,” said the messenger, reluctantly, “the Observers tell us they have not yet penetrated space.”
Naron was astonished. “Not at all? Not even a space station?”
“Not yet, sir.”
“But if they have thermonuclear power, where do they conduct the tests and detonations?”
“On their own planet, sir.”
Naron rose to his full twenty feet of height and thundered, “On their own planet?”
Slowly Naron drew out his stylus and passed a line through the latest addition in the small book. It was an unprecedented act, but, then, Naron was very wise and could see the inevitable as well as anyone in the galaxy.
“Silly asses,” he muttered.
Asimov wrote Silly Asses on July 29, 1957. To put that in context, just ten days earlier (July 19, 1957), as a part of Operation Plumbbob the USAF filmed five Air Force officers standing directly under an atmospheric nuclear detonation. The idea was to demonstrate the safe usage of nuclear weapons over civilian populations.
The SFFaudio Podcast #224 – Exhibit Piece by Philip K. Dick; read by Mark Turetsky. This is a complete and unabridged reading of the story (40 minutes) followed by a discussion of it. Participants in the discussion include Jesse, Jenny, Maissa Bessada, and Mark Turetsky.
Exhibit Piece was first published in the August 1954 issue of If: Worlds Of Science Fiction.
Talked about on today’s show:
“Hi, I’m the main character”, a pocket universe, a time portal, is the cold war a 22nd century office feud?, looking back at the 1950s, 1950s nostalgia in the 1950s, middle class white guy, cobalt bombs, the boogeyman, global warming?, Jesse needs to listen to the fear propaganda, a historical perspective, how to build a cobalt bomb, what was he doing in there?, was Miller herded into the 1950s world?, the authority figures, the TV, the newspaper, the dreamed are secure until the dreamer wakes?, Star Trek, Barbara Adams, talking to her hair?, Trekkies, is Miller delusional?, a crack in time, a nested world, living inside a museum exhibit with a confabulated wife and children, Berkeley, California, San Francisco, New York -> N’York, public transportation (the bus) -> pubtrans, the Wikipedia entry for Exhibit Piece, citation needed, does the entire story happen in the 1950s?, did Miller have a psychotic break after reading the newspaper?, TOTAL WORLD DESTRUCTION AHEAD, the missing newspaper, Philip K. Dick’s old house, dog food for dinner, the world of the neighborhood,a mistake the Oakland Daily, I didn’t get up until noon anyway, the newspaper as the binding point, is the psychiatrist right?, the names, Grunberg, Fleming, Carnap, the philosopher Rudolph Carnap, logical positivism, the slippage of words, natural deductive logic, death panels, a priori, philosophy, Newspeak in reverse, double plus good, “Dig me?”, the Eisenhower administration, Jazz cats, the 22nd century is pretty awful, the time when men were still men, Military–industrial complex, Eisenhower’s field rank, misplaced power, a golden age, the greying of the world, even the robot thinks he’s weird, how smokeable is two centuries old tobacco?, is the future the delusion?, was anti-hist a term at the time?, gorning!, transformed language, Russian River, incongruous authority figures, the highest ranking official in the world directorate doesn’t have anything better to do, delusions of grandeur, maybe history is just that important to them, Hampton Court Palace, who is the museum for?, what a weirdo, the business suit as a uniform, similar Philip K. Dick short stories, Upon The Dull Earth by Philip K. Dick, resurrection, The Commuter by Philip K. Dick, only the reader can see it, how are the worlds linked?, the version where Miller is crazy, Second Life, computer generate realities, World Of Warcraft grinding day and night, sorta-real gold, there’s no distinguishment between realities, Breakfast At Twilight by Philip K. Dick, time travel, the Cold War, idealized suburban lifestyle, a fleet of Russian robots (drones), fear of nuclear war 1950s – 1980s, Russian spy stories, fear of AIDS, AIDS education in Kindergarten!, blast radii, things are going to be great, Mark Turetsky has been narrating audiobooks since 2009, nerdy kids books, Pi In The Sky by Wendy Mass, a Recorded Books Book, Mark’s like a Kirby Heybourne type, the zombie books, Little Brother by Cory Doctorow, Cloud Atlas, Gone Girl, Ace Galaksi is a Canadian comedic audio drama miniseries.
Maissa Bessada’s The Destiny Of Special Agent Ace Galaksi is very hard to tell you about. It’d be easy to say the show is just bonkers, but that’d give you the idea that it doesn’t work on a certain level that it really does. The plot is nonsensical, in the way that some of Philip K. Dick’s are. But If I said it was like a Philip K. Dick plot that’d give you absolutely the wrong idea. The Destiny Of Special Agent Ace Galaksi is far more like the Goon Show than PKD.
The Destiny Of Special Agent Ace Galaksi is naive, sharp, amateurish, polished, bizarre, insightful, childish, wise, ridiculous, and hilarious. I’ve been listening to the six half hour episodes over and over for the last three weeks and I still honestly don’t know exactly what to make of it or how even to really describe it – other than to say I like it a whole lot and I want Maissa Bessada to be my friend.
We may have to look at The Destiny Of Special Agent Ace Galaksi as a kind of work of genius, something to marvel at, something to experience. There’s a kind of damn the torpedoes specificity to the details of this show that make it an impossible project to imagine got made. And yet here it is, like a very weird dream come alive, The Destiny Of Special Agent Ace Galaksi seems to have come from an alternative universe.
But I don’t want to scare you off, it a weird experimental audio drama, in fact it’s pretty conventional, and first and foremost it’s a comedy. So let me invite you in.
Think of the great comedic audio dramas: The Hitchhiker’s Guide To The Galaxy, The Scarifyers, Steve, The First or Dick Dynamo: The Fifth Dimensional Man.
You’d say yeah, it’s a comedy like those. But then I’d say to you that, unlike Hitchhiker’s, this one’s really zany! Zany on multiple levels. And that, unlike Scarifyers, this one’s a Science Fiction comedy, that it’s really not very much interested in how things are, as much as how they could be! There’s no periodicity to it. And that, unlike Steve, this one, though totally and utterly Canadian, is full of international flavouring! And unlike Dynamo, the titular character is the straight-man to the off-the-rails flowing crazy funny world.
The Destiny Of Special Agent Ace Galaksi is crazier than a patchwork quilt of all of those shows gliding through puffs of time and space.
And although they are really completely and wholly different in every possible way The Destiny Of Special Agent Ace Galaksi reminded me most of was The Adventures of Sexton Blake. It’s not the word play, nor the lunatic pacing, it’s more the characters. And yet, the comparison still falls completely apart.
Indeed, the ears you need to appreciate The Destiny Of Special Agent Ace Galaksi require you to throw out your basic assumptions. They require a paradigmatic shift within you, an unencumbered embrace of the unfamiliar and hilarious, a removal of expectations, an open mind.
The Destiny Of Special Agent Ace Galaksi is an audio drama that cares most about the weird story that it is weirdly telling. It’s really, really fun.
Here’s the official premise:
After a comet of unknown origin crashes through one of God’s recycling piles, a new planet, Traa Laa Laa, forms in the aftermath. Created from a little bit of this and a little bit of that, the beings on that planet have the ability to change shape. It is CSIS special agent Ace Galaksi’s destiny to discover that those shape-changing extraterrestrials have been visiting Earth since time immemorial – and that some of those visitors left artifacts behind. One of those artifacts is as small as a seventy million year old tennis ball, another as big as the great pyramid of Giza. Certain peculiarities about the artifacts lead Ace to some startling discoveries about the very nature of existence. Unfortunately Ace Galaksi’s destiny is unclear as to whether or not he’ll be able to stay ahead of world government plots to ensure he keeps his findings to himself – permanently.
Sez scripter Maissa Bessada:
“After completing the novel version of Ace Galaksi, I realized the work had great potential as an audio play. I re-wrote it as a series of scripts, hired several talented, highly versatile actors and a Juno award winning, retired CBC producer. The show was complete. Fantastic! For about a split – or as those of us with a sci-fi bent would have it – nano-second. Then I realized that having an entertaining, thought-provoking show online wasn’t the end of my work, it was only the beginning. The next challenge was finding an audience for it.
A few weeks ago I was introduced to your podcast. In one episode Scott said in passing, ‘The best audio drama is better than a movie.’ I stopped in my tracks. (I was listening while walking the dog) and told the dog and whatever squirrels and trees that would pay attention, ‘The best audio drama is better than a movie – I couldn’t agree more!’
I’d love for you guys to listen to my show. People that choose to enjoy sci-fi in an audio format – I feel like a stranger in a strange land who has finally found home.”