Broken Sea Audio: Open Casting Call for Robert E. Howard’s Queen Of The Black Coast

SFFaudio News

Conan And BelitBroken Sea Audio Productions, and producer Bill Hollweg, are casting the role of Conan (the Cimmerian) for an upcoming audio drama version of Robert E. Howard’s Queen Of The Black Coast.

The “Queen of the Black Coast” was a novelette by Robert E. Howard first published in the May 1934 issue of Weird Tales. Here’s a brief description (without spoilers):

In the seacoast kingdom of Argos, after a brush with the Hyborian legal system, Conan hops aboard a southward bound ship. Off the coasts of Kush the ship is boarded by black corsairs under the Shemitish she-devil, Bêlit. Conan joins her crew, becomes her consort, and for a long time they harry the Hyborian and Stygian ports. During this stage of his career, Conan gains the name of Amra, the Lion, which is to follow him throughout his later life.

Characters in the story include (but are not limited to):

* Conan
* Bêlit
* N’Gora
* N’Yaga
* Tito
* Winged One

Please take note, this is still only a casting call for Conan himself, more casting will be done in later weeks. At that time I’d guess that having a Kushite, Khemish, Shemitish, Argosean or Stygian accent will probably help your chances of landing a role.

Here’s some info from the official press release:

This is a cast call for the character of CONAN alone. I need a Barbarian the lay a swath of destruction across the audio realms! Ever wanted to brandish a broadsword in the Hyborian Age? This is what I want from the voice actor doing CONAN…

POWER…PURE POWER that OOZES from the headphones… That said- I also want the actor to make this role his with a swipe of a VA (voice acting) broadsword!

I do not want bad Arnold Impersonations. This character is a fave of my from almost as far back as I can remember- so I am wanting something special for this production. An Austrian Accent is fine, or whatever accent you have or can do – I am open to giving it a listen. But I want to believe in this character, so it needs to have power behind the lines. And I am not talking about just screaming them here . There will be more casting calls soon and the script is still being cobbled together as we speak, but for now I need to find Conan first and foremost. Please send in lines in mp3 format, 44100hz 192k and label the file:

Conan_aud_.mp3 to: [email protected]

I have left in bits of the actual prose to give a feel for the scene/character. The VA lines are in black.

GOOD LUCK BY CROM!

Auditions Close December 10, 2007

_______________________________________________________________

Hoofs drummed down the street that sloped to the wharfs. The folk that
yelled and scattered had only a fleeting glimpse of a mailed figure on
a black stallion, a wide scarlet cloak flowing out on the wind. Far up
the street came the shout and clatter of pursuit, but the horseman did
not look back. He swept out onto the wharfs and jerked the plunging
stallion back on its haunches at the very lip of the pier. Seamen
gaped up at him, as they stood to the sweep and striped sail of a
high-prowed, broad waisted galley. The master, sturdy and black-
bearded, stood in the bows, easing her away from the piles with a
boat-hook. He yelled angrily as the horseman sprang from the saddle
and with a long leap landed squarely on the mid-deck.

Ship Captain: Who invited you aboard?

CONAN: Get under way CAPTAIN!

Ship Captain: But we’re bound for the coasts of Kush!

CONAN: Then I’m for Kush! Push off, I tell you!

SFX: The captain cast a quick glance up the street, along which a squad of horsemen were galloping; far behind them toiled a group of archers, crossbows on their shoulders.

Ship Captain: Can you pay for your passage?

CONAN: I pay my way with steel! By Crom, if you don’t get under way, I’ll drench this galley in the ‘blood of its crew!

Ship Captain: Seein’ as ye put it that way- welcome aboard Barbarian…

———————————————————–

Later, underway on the Captain’s Ship, after escaping the city, Conan and the Captain talk.

CONAN: Who is Belit?

Ship Captain: The wildest she-devil unhanged. Unless I read the signs awrong, it was her butchers who destroyed that village on the bay. May I some day see her dangling from the yard-arm! She is called the queen of the black coast. She is a Shemite woman, who leads black raiders. They harry the shipping and have sent many a good tradesman to the bottom.

CONAN: Little use to resist if we’re run down,” he grunted. “But it rasps the soul to give up life without a struggle.

It was just at sunrise when the lookout shouted a warning.

MATE #1: PORT SIDE!!! A SHIP!!!

Around the long point of an island off the starboard bow glided a long lethal shape, a slender serpentine galley, with a raised deck that ran from stem to stern. Forty oars on each side drove her swiftly through the water, and the low rail swarmed with naked blacks that chanted and clashed spears on oval shields. From the masthead floated a long
crimson pennon.

Ship Captain: Damn!!! Tis her… Belit… And her damned ship…This sojourn ’tis doomed..

CONAN: We’d best stand to it- else we’ll all die with shafts in our backs, and not a blow dealt.

Ship Captain: Bend to it, dogs! We row to outrun the she-devil BELIT!!!

With a passionate gesture of his brawny fist, the bearded rowers grunted, heaved at the oars, while their muscles coiled and knotted, and sweat started out on their hides. The timbers of the stout little galley creaked and groaned as the men fairly ripped her through the water. The wind had fallen; the sail hung limp. Nearer crept the inexorable raiders, and they were still a good mile from the surf when one of the steersmen fell gagging across a sweep, a long arrow through his neck. Tito sprang to take his place, and Conan, bracing his feet wide on the heaving poop-deck, lifted his bow. He could see the details of the pirate plainly now. The rowers were protected by a line of raised mantelets along the sides, but the warriors dancing on the narrow deck were in full view. These were painted and plumed, and mostly naked, brandishing spears and spotted shields.

On the raised platform in the bows stood a slim figure whose white skin glistened in dazzling contrast to the glossy ebon hides about it. Belit, without a doubt. Conan drew the shaft to his ear–then some whim or qualm stayed his hand and sent the arrow through the body of a tall plumed spearman beside her.

Hand over hand the pirate galley was overhauling the lighter ship. Arrows fell in a rain about the Argus, and men cried out. All the steersmen were down, pincushioned, and Tito was handling the massive sweep alone, gasping black curses, his braced legs knots of straining thews. Then with a sob he sank down, a long shaft quivering in his sturdy heart. The Argus lost headway and rolled in the swell. The men shouted in confusion, and Conan took command in characteristic fashion.

CONAN: Up, lads!

SFX

CONAN: Grab your steel and give these dogs a few knocks before they cut our throats! Useless to bend your backs any more: they’ll board us ere we can row another fifty paces!

In desperation the sailors abandoned their oars and snatched up their
weapons. It was valiant, but useless. They had time for one flight of
arrows before the pirate was upon them. With no one at the sweep, the
Argus rolled broadside, and the steel-baked prow of the raider crashed
into her amidships. Grappling-irons crunched into the side. From the
lofty gunwales, the black pirates drove down a volley of shafts that
tore through the quilted jackets of the doomed sailormen, then sprang
down spear in hand to complete the slaughter. On the deck of the
pirate lay half a dozen bodies, an earnest of Conan’s archery.

The fight on the Argus was short and bloody. The stocky sailors, no
match for the tall barbarians, were cut down to a man. Elsewhere the
battle had taken a peculiar turn. Conan, on the high-pitched poop, was
on a level with the pirate’s deck. As the steel prow slashed into the
Argus, he braced himself and kept his feet under the shock, casting
away his bow. A tall corsair, bounding over the rail, was met in
midair by the Cimmerian’s great sword, which sheared him cleanly
through the torso, so that his body fell one way and his legs another.
Then, with a burst of fury that left a heap of mangled corpses along
the gunwales, Conan was over the rail and on the deck of the Tigress.

In an instant he was the center of a hurricane of stabbing spears and
lashing clubs. But he moved in a blinding blur of steel. Spears bent
on his armor or swished empty air, and his sword sang its death-song.
The fighting-madness of his race was upon him, and with a red mist of
unreasoning fury wavering before his blazing eyes, he cleft skulls,
smashed breasts, severed limbs, ripped out entrails, and littered the
deck like a shambles with a ghastly harvest of brains and blood.

SFX: Invulnerable in his armor, his back against the mast, he heaped mangled corpses at his feet until his enemies gave back panting in rage and fear.

CONAN: DIE!!! CROM!!! HARR!!! HAH!!! FEEL THE SWORD OF CONAN!!! ARRR!!!

Then as they lifted their spears to cast them, and he
tensed himself to leap and die in the midst of them, a shrill cry
froze the lifted arms. They stood like statues, the black giants
poised for the spear casts, the mailed swordsman with his dripping
blade.

Belit sprang before the blacks, beating down their spears. She turned
toward Conan, her bosom heaving, her eyes flashing. Fierce fingers of
wonder caught at his heart. She was slender, yet formed like a
goddess: at once lithe and voluptuous. Her only garment was a broad
silken girdle. Her white ivory limbs and the ivory globes of her
breasts drove a beat of fierce passion through the Cimmerian’s pulse,
even in the panting fury of battle. Her rich black hair, black as a
Stygian night, fell in rippling burnished clusters down her supple
back. Her dark eyes burned on the Cimmerian.

She was untamed as a desert wind, supple and dangerous as a she-
panther. She came close to him, heedless of his great blade, dripping
with blood of her warriors. Her supple thigh brushed against it, so
close she came to the tall warrior. Her red lips parted as she stared
up into his somber menacing eyes.

BELIT: Who are you? By Ishtar, I have never seen your like, though I have ranged the sea from the coasts of Zingara to the fires of the ultimate south. Whence come you?”

CONAN: From Argos… Belit…

BELIT: You are no soft Hyborian! You are fierce and hard as a gray wolf. Those eyes were never dimmed by city lights; those thews were never softened by life amid marble walls.”

CONAN: I am Conan, a Cimmerian…

Cool huh? I’m polishing my broadsword now (and that isn’t a euphemism for something by the way).

Posted by Jesse Willis

New Podcast: Dial P For Pulp

SFFaudio Online Audio

Dial P For PulpDial P For Pulp is a podcast for anyone interested in any aspect of the pulp magazines and books. Show No.1, just released, features a book review of Hardboiled Cthulhu, an interview with illustrator Tom Roberts about his work on Doc Savage: The Lost Radio Scripts of Lester Dent and also a reading of the first part of Red Shadows a Solomon Kane story by none other than the legendary pulp-master Robert E. Howard!

The first show is available for download |MP3|or you can subscribe to the RSS feed and get and all subsequent shows automatically:

http://dpfp.libsyn.com/rss/podcasts

FREE Robert E. Howard Novellete Red Shadows

SFFaudio Online Audio

The latest FREE Fantasy audiobook on LibriVox.org is “Red Shadows” a fantasy novelette first published in Weird Tales’ August 1928 issue. This story, also known as “Solomon Kane,” was the first Solomon Kane story ever published. I’m a big fan of Solomon Kane and was pleased to hear that the narrator, Paul Siegel, is going to continue voicing more Kane stories.

Solomon Kane AKA Red Shadows by Robert E. HowardRed Shadows (AKA “Solomon Kane”)
By Robert E. Howard; Read by Paul Siegel
5 Zipped MP3s – Approx. 63 Minutes [UNABRIDGED]
Publisher: LibriVox
Published: April 2007
Red Shadows is the first of a series of stories featuring Howard’s puritan avenger, Solomon Kane. Kane tracks his prey over land and sea, enters the jungles of Africa, and even faces dark Gods and evil magic — all to avenge a woman he’d never met before.

Preview of a new ROBERT E. HOWARD audiobook

SFFaudio News

Audio RealmsThe creator of Conan, Robert E. Howard, has been long neglected in audio. But no longer!

Audio Realms, an SFFaudio Essential producing publisher, is collaborating with Wildside Press to bring us “The Weird Works of Robert E. Howard.” This is a 10-volume series of Howard’s classic Fantasy, Horror, and poetry from Weird Tales magazine. These stories are going to be in Audio Realms’ “AudioBooksPlus” format. Each volume features cover art by Stephen Fabian, plus new introductions by a leading REH scholar or fantasist such as Joe R. Lansdale. In addition to these volumes, AudioRealms will be producing 4 volumes dedicated exclusively to Conan. The first three will be multiple story collections and the 4th will feature REH’s masterpiece The Hour Of The Dragon.

There is now a sound sample available for one of the short stories….this brief clip comes from Howard’s short story The Gods Of The North |MP3|.

Review of Conan The Barbarian Movie Adaptation LP

SFFaudio Audiobook Review

Conan The Barbarian - Movie Adaptation LPConan The Barbarian
Based on the Motion Picture directed by John Milius; Performed by a FULL CAST
33 1/3 RPM LP – Approx. 43 minutes [AUDIO DRAMA]
Publisher: Power Records
Published: 1982 (Out Of Print)
Product #: 1134
Themes: / Fantasy / Revenge / Battle / Mythology / Gods / Snakes /

“I was born on the battlefield! The first sounds I
heard were the screams of dying men!”

It took almost a half of century for Robert E. Howard’s legendary thief, warrior, barbarian and eventual King to debut on the silver screen. In the fifty or so years prior to the 1982 theatrical release of Conan The Barbarian, and against all odds, Conan had clutched fate by its throat and demanded success in practically every media it was translated into. Novels, magazines, newspaper syndication and comics, they were all conquered by this sword-wielding barbarian. These conquest continually garnished him a growing legion of loyal followers. So by Conan’s God Crom, it only made sense for Hollywood to be this fantasy character’s next path to tread under his sandaled feet.

Ridley Scott… Oliver Stone… Many talented directors attempted to bring “Conan The Barbarian” to theaters before writer/director John Milius’ inspired script finally got it right and brought the project to fruition. John’s vision, which some critics called “horribly violent” and “sexist”, captured the true lifeblood and essence of the Hyborian Age and all its brutality and sinister ways. Directed on location in Spain for Universal Pictures, it starred world renowned bodybuilder Arnold Schwarzenegger as Conan of Cimmeria and Shakespearean actor James Earl Jones as the dreaded snake cult leader Thulsa Doom.

As always, making a motion picture about any character with a large fanbase creates controversy, and Conan The Barbarian was no different. Many fans questioned most of the inexperienced cast and their acting ability. Arnold Schwarzenegger was a world champion bodybuilder. Valeria, played by Sandahl Bergman, was a professional dancer. Even the director’s surfing partner took on the role of Subotai. Overwhelmingly, other than James Earl Jones, the cast was perceived as great lot of physical specimens rather than accomplished actors. Confusion also lingered among purists regarding Milius’ choice to retell Conan’s origin, which somewhat contrasted with the purist understanding of the barbarian’s earlier years. But other fans defended the retelling, arguing that creator Robert E. Howard never truly fleshed out Conan’s childhood, only briefly touched upon it. Moreover, they were quite pleased that Milius honored the legacy of Conan by sampling script ideas from many of Conan’s original tales like “The Tower of the Elephant” and “The Thing in the Crypt”.

Whichever side fans took, most couldn’t help not to revel in the sure beauty of the film… especially its Fantasy panting-like cinematography, awe inspiring original score and its seriousness in tone (something sorely missing in the later and utterly inferior sequel.) So, like all forms of media before it, the film Conan The Barbarian was a success and is now considered a classic among fans of the sword & sorcery genre. Conan was once again triumphant.

That same year, Power Records released the story of “Conan The Barbarian” which was surprisingly good among movie adaptation albums of its time. Known more for creating stories for adolescents, it was really quite astonishing to see Power Records adapt a “R” rated film, gloriously filled with masses of graphic violence, explicit nudity and even an orgy! The adaptation did exclude the “worst” parts of the film of course, but most mothers I know would balk upon their children listening to lines like “The last image I saw was my parent’s heads on a pair of Vanir pikes!” This adaptation was obviously made for young adults.

A whole new cast of actors were used, and the actors chosen for Conan, Subotai and The Wizard were an excellent choice. Conan is more intelligent than he appeared in the film, in the vein of the original Robert E. Howard writings. Actually, the original film script called for Conan to have more dialogue and narrate his own story rather than Mako’s ‘The Wizard’ doing the chronicling. But due to Schwarzenegger’s thick accent, much of Conan’s lines were trimmed down and/or removed in trade of Arnold’s powerful visual presence, which is where a problem lies. I actually had trouble appreciating this adaptation at first. Being a great fan of the film, I had the original actor’s voices and their dialogue (or Conan’s lack thereof) imprinted in my mind so deeply, it was hard to listen with a fresh perspective. Challenging yourself to give it a second “go around” is where the reward lies!

Conan narrating his tale is not the only difference between the adaptation and the actual film. Though fans of the film will be pleased to know that practically all of the story differences you hear were actually in the original John Milius script, before they were edited for various creative and/or monetary reasons. Some differences are subtle, like Thulsa Doom’s high priests are named Yaro and Rexor (rather than the familiar Rexor and Thorgrim). Others are larger events, like when Conan and Subotai enter the cities of Zamora looking to plunder the riches of the snake tower. While traveling through the filthy city of Shadizar, the script & adaptation details an extra scene of Conan and Subotai witnessing a snake cult procession moving through the streets. This is where Conan first hears the cursed chant of his nemesis Thulsa Doom since his parent slaying so long ago. He also gets his first glance of the haunting Princess he would later steal for King Osric, as she calls out to Conan from her platform, commanding him to “throw down his sword” in the name of Set. It’s a great scene.

My only gripe with the record adaptation is I wish it featured the film’s original score. While the orchestration Power Records uses is vast and surprisingly well done, it’s hard to stand against the classic work of composer Basil Poledouris. Though, with their excellent cast and matching production values, this can be easily overlooked. Especially when listening to the “new” dialog and scenes ultimately left on the cutting room floor. As a fan of all things Conan and especially the films, it creates quite a thrill and leaves you slightly imagining… what might have been.

Solomon Kane, Robert E. Howard’s Puritain devil-fighter, in 3 MP3 poems

SFFaudio Online Audio

Three poems by master fantasist Robert E. Howard are available in MP3 format. Read by Paul Blake, they were released as a promotion for a Wandering Star book on Kane.

The Savage Tales Of Solomon Kane

Listen to the poems:

1. The One Black Stain |MP3|
2. The Return Of Sir Richard Grenville |MP3|
3. Solomon Kane’s Homecoming |MP3|

And for interested parties trying to find hardcopies, here are the details:

The Savage Tales of Solomon KaneThe Savage Tales Of Solomon Kane
By Robert E. Howard; Read by Paul Blake
1 CD – [UNABRIDGED]
Publisher: Wandering Star
Published: 1998
ISBN: 0953425304 (Limited Edition), 0953425304 (Ultra Limited Edition)
The CD, only available with purchase of one of two boxed sets, contains three Howard poems about his dour Puritan hero:
The One Black Stain
The Return of Sir Richard Grenville
Solomon Kane’s Homecoming
This CD is only available with purchase of either the The Savage Tales Of Solomon Kane “Limited Edition” boxed set (limited to 1050 copies) or the “Ultra Limited Edition” (same package but bound in goatskin and limited to just 50 copies).

I’m pleased to say we should have some more Robert E. Howard news for you in the coming weeks and months too!