To promote the upcoming release of Oddly Enough, a collection of nine short stories about “vampires, werewolves, ghosts, unicorns” Full Cast Audio, and Bruce Coville, are offering a free short story. It doesn’t have any vampires, werewolves, ghosts or unicorns, but it does have “a demented Scottish brownie.”
It comes in four parts, and runs just slightly over an hour. I’ve added it to my HuffDuffer feed.
Clean As A Whistle
By Bruce Coville; Read by a full cast
4 MP3s – Approx. 1 Hour 8 Minutes [UNABRIDGED]
Publisher: Full Cast Audio
Published: 2010
Part 1 |MP3| Part 2 |MP3| Part 3 |MP3| Part 4 |MP3|
And here’s another of the wonderful behind the audiobook FCA videos to go with it:
While I was flipping through one of my grandmother’s old English textbooks (SENSE AND FEELING) I found it contained a short story written by Will F. Jenkins. You may, as I did, instantly recognize it as a pen name of Murray Leinster (even if, in actuality, it’s the other way around). After running the title and the names by my copyright researching buddy, I was pleased to discover it was in the PUBLIC DOMAIN! I then passed it on to another of my creative friends who turned it into an episode of her podcast.
Julie Davis, the narrator, says she was planning on saving it for Halloween. I can see exactly why she was planning that, but it’s probably the perfect listening for any Autumn drive … at night …. in the country ….. with the doors locked …… very tightly.
Night Drive
By Murray Leinster; Read by Julie Davis
1 |MP3| – Approx. 58 Minutes [UNABRIDGED]
Podcaster: Forgotten Classics
Podcast: September 24, 2010 In which a young woman at night is faced with a life-or-death choice. Night Drive by Will F. Jenkins, was first published in the March 1950 issue of Today’s Woman magazine. In 1962 it was later collected in the Belmont Books paperback called Twisted, (edited by Groff Conklin).
Darkside
By Tom Becker; Read by Colin Moody
6 CDs – Approx. 6 Hours 12 Minutes [UNABRIDGED]
Publisher: Bolinda Audio
Published: 2008
ISBN: 9781921415340
Themes: / Fantasy / Urban Fantasy / Crime / London / Werewolves / Vampires / Magic / Kidnapping / Evil / Jack The Ripper / Your home’s been attacked. Your dad’s in an asylum. You’re running for your life. And there’s nowhere to hide.
You’ve stumbled on the city’s greatest secret: Darkside. Incredibly dangerous and unimaginably exciting. Darkside is ruled by Jack the Ripper’s children – a place where nightmares walk the streets. You think you’re in trouble now, but your problems have just begun…
I usually do a fair mount of research about the books I plan to read. Before I pick one up I’ve usually either heard an author interview, read a review, discussed it with people who’ve already read it, or at least got a recommendation from an author whose work I already respect. But I also know these techniques aren’t a very good way to branch out beyond what’s already familiar to me, and so, every so often I just pick up a book, almost at random, and start reading. That’s what I did with Darkside by Tom Becker.
Maybe one of the initial appeals of Darkside, other than the terrific cover, was that it was from a publisher whose audiobooks I’d never heard before. Bolinda Audio is from Australia. And because of that it’s doing things a little differently. First off, it’s narrators are Australian. And second, they’ve got a lot of authors in their catalogue that I’ve never heard of. That’s cool!
Darkside is an interesting tale in itself. In terms of plot, it kind of falls halfway between two Neil Gaiman novels: Neverwhere and The Graveyard Book. It features Jonathan Starling, an unremarkable misfit fourteen-year-old with an ailing father and a deceased mother. He lives in London and is mostly taken care of by a kindly neighbor woman. Other than her, he’s nearly friendless and spends most days skipping-out of school and hanging out at one of the city’s many libraries. His father, an avid book collector himself, suffers some sort of recurring full body paralysis and perhaps it’s related to some of the books he collects. One day, right out in the open on a London street Jonathan is nearly kidnapped by a seemingly invisible giant and a woman with fluorescent hair. He quickly learns that London isn’t going to be safe for him anymore and so his father sends him away. He is to flee, for his own safety, into the arms of a protector. Jonathan takes with him a knife and a bullet. The knife is for protection from the kidnappers, and the bullet is for protection against his would-be protector, a mysterious old friend of his father’s, a man named Carnegie. Plot ensues.
Where the novel falls short is in comparison to the two Neil Gaiman novels I mentioned earlier. A hidden city within London isn’t really new. And neither is a young kid being protected by a paranormal monster-man. More importantly, Becker doesn’t have anywhere near the mastery of English fiction that Gaiman has. But that’s really not a fair comparison. For my money very few living English authors can compare favorably with Neil Gaiman. Apparently Darkside was written when Becker was just 25! When Gaiman was 25 he hadn’t written a single novel, comic, nor even Don’t Panic, his wonderful biography of Douglas Adams. As a result I think Darkside can stand pretty proudly on its own. It’s quickly paced, pretty fun and most of all it’s got a story that keeps your attention all the way through. Good job new guy.
Narrator Colin Moody, a talent stage trained actor, has an Australian accent, except when performing the dialogue of the characters. When in character Moody cowls him reading with various Londoner regionalisms. There are many sinister sounding villains in this novel and he voices all of them extremely well. If you’re a voracious reader looking for swiftly plotted urban fantasy novel (for the juvenile set), and you’ve already read both Neverwhere |READ OUR REVIEW| and The Graveyard Book |READ OUR REVIEW| do check out Darkside. Series fans will also be pleased to hear that four more Darkside novels follow this one, and that Bolinda has the “audio sequel forthcoming.”
The SFFaudio Podcast #060 – Jesse and Scott talk about recently arrived audiobooks!
Talked about on today’s show:
Roger Ebert’s review of The Human Centipede, BoingBoing, World Horror Convention 2008, Salt Lake City, how the horror genre has changed, Hater by David Moody |READ OUR REVIEW|, anti-Americanism, Your Movie Sucks by Roger Ebert, Awake In The Dark by Roger Ebert, Roger Ebert’s review of Reservoir Dogs, recent arrivals, Tantor Media, The Horror Stories Of Robert E. Howard, Pigeons From Hell, Worms Of The Earth, The Cairn On The Headland, I Am Not A Serial Killer by Dan Wells, Dexter as a teenager, Columbine by Dave Cullen |READ OUR REVIEW|, the Writing Excuses Podcast, LUTE Brigham Young University, Mr. Monster by Dan Wells, The Eerie Silence by Paul Davies, science, SETI, Scott’s Pick Of The Week:Goodreads.com, social networking that works, Beowulf by Anonymous, Seamus Heaney‘s translation, The Epic Of Gilgamesh BBC Audio Drama, RadioArchive.cc, City Of Dragons by Kelli Stanley, the Bish’s Beat blog, private investigation, San Fransisco, The Spanish Civil War, Brilliance Audio, High Deryni by Katherine Kurtz, The Tales Of Dying Earth, Rhialto the Marvelous by Jack Vance, Seeing Ear Theatre, The Moon Moth by Jack Vance |READ OUR REVIEW|, social science fiction, Tale Of The Thunderbolt by E.E. Knight, vampires, alien invasion, The Space Vampires by Colin Wilson, Lifeforce, Vampires by John Steakley, what Steakley is doing with his novels (examining one small aspect of violence), The Guns Of August by Barbara Tuchman, Heist Society by Ally Carter, Luke Burrage’s review of Robert J. Sawyer’s Calculating God on the Science Fiction Book Review Podcast, WWW: Watch by Robert J. Sawyer, The Windup Girl by Paolo Bacigalupi, the Nebula awards, reading the Hugo nominees, Sinner, Baker, Fabulist, Priest; Red Mask, Black Mask, Gentleman, Beast by Eugie Foster |READ OUR REVIEW|, Lawrence Santoro, Eros Philia Agape by Rachel Swirsky, Blackstone Audio, Enchantment by Orson Scott Card, Stefan Rudnicki, Sleeping Beauty, Jesse’s Pick Of The Week:Snow Glass Apples by Neil Gaiman, Snow White And the Seven Dwarfs, Bebe Neuwirth, The Dreaming blog, Murder Mysteries by Neil Gaiman, Nadya by Pat Murphy, werewolves, Poland, California, 19th century, Rachel In Love by Pat Murphy, Vampire Zero by David Wellington, civil war, The Bradbury Report by Steven Polansky, The Island, did Ray Bradbury write a cloning story?, what’s the best cloning novel you’ve ever read?, cloning doesn’t really live in fiction, Surrogates, Kiln People by David Brin, Cyteen by C.J. Cherryh, Where Late The Sweet Birds Sang by Kate Wilhelm, Mimic by Donald A. Wollheim, Red Dwarf is a great hard Science Fiction series!, “what’s the best cloning novel?”, Blood Oath by Christopher Farnsworth, Bronson Pinchot, “shadowy conspiracy” = “secret secret”, The Bradbury 13 by Ray Bradbury, radio drama, The Hitch-hiker’s Guide To The Galaxy isn’t audio drama’s best exemplar (The Bradbury 13 is), City Of Truth by James Morrow, satire, religion, The Invention Of Lying, This Is The Way the World Ends by James Morrow, PaperbackSwap.com, Dan Carlin’s Common Sense podcast, oligarchy, talking points, The Daily Show with Jon Stewart, Obamacare, “-gate” is not a suffix meaning scandal, the difference between English and French, words map the world, words are the magic in our world, ZBS Foundation, Dinotopia: The World Beneath (audio drama), Yuri Rasovsky, a kid who doesn’t like dinosaurs?, Blake’s 7: The Early Years: Zen: Escape Velocity, Robin Hood, Zen and the Liberator is like Blake’s Sherwood Forest! Babylon 5, J. Michael Straczynski’s City Of Dreams.
Club Dead
By Charlaine Harris; Read by Johanna Parker Audible Download – 8 hours [UNABRIDGED]
Publisher: Recorded Books
Published: 2008
Themes: / urban fantasy / paranormal romance / vampires / werewolves / True Blood
The second season of HBO’s True Blood, based on Charlaine Harris’s Sookie Stackhouse novels. The show’s first season very loosely followed the first novel in the series, Dead Until Dark, while the second season made significant departures from the second novel, Living Dead in Dallas. Hoping to garner some clues about the show’s third season, I decided this would be a good time to read the third installment in the series. While the flavorful writing and vivid characterization are still top-notch, Club Dead lacks the charm and magic that made the series opener so memorable.
As the novel opens, telepath human Sookie Stackhouse is finding her vampire boyfriend Bill Compton a bit distant. He’s exhibiting the characteristics of an internet addict, spending hours on his computer and hiding his activities from her. Without warning Bill announces he’s going away on business, and leaves a set of computer disks in Sookie’s protection. As if this isn’t disconcerting enough, Bill’s vampire boss Eric Northman from Shreveport soon calls on Sookie to tell her that Bill has vanished somewhere in the town of Jackson, Mississippi, and charges the werewolf Alcide Herveaux with helping Sookie find her squeeze. The city of Jackson, and its supernatural-friendly night dive Club Dead, serve as the setting for most of the novel’s action.
Sookie Stackhouse is a fantastic character, and it’s always a treat to spend more time with the strong-willed yet insecure waitress from Bon Temps, Louisiana. The vampire Eric Northman, a shadowy figure of great power in the first two novels, also finds more development here. He becomes more three-dimensional, but at the cost of losing some of his mystique. Newcomer Alcide Herveaux, who introduces Sookie to Jackson’s werewolf community, fits comfortably among the series regulars. Sookie’s love interest, Bill Compton, is absent for much of the novel, but he does resurface near the book’s conclusion. Relationships among these principal personalities shift significantly during the course of the book. I’m not sure I approve of the shifts in affiliation and allegiance, but they certainly made for some moments of powerfully emotional storytelling.
Charlaine Harris’s writing is superb, especially her ear for dialogue and her liberal use of local color. Having spent many years in East Texas, which in many ways lies in the same cultural sphere as the book’s setting, I can attest to the verisimilitude Harris achieves in her prose, accentuated by the first-person storytelling from Sookie’s perspective.
The problem with Club Dead, as with its predecessor, is that it removes too much of the human element from the story. Urban fantasy is at its best when it juxtaposes the supernatural and magical against the backdrop of the commonplace and mundane. The first novel, Dead Until Dark, achieved this brilliantly, introducing vampires into the sleepy village of Bon Temps. This powerful quality of urban fantasy is lost in Club Dead among all the machinations within and between the werewolf and vampire communities, fascinating though they may be. Indeed, the eponymous Club Dead itself exemplifies this. Whereas Fangtasia, or even Merlott’s, in the preceding novels were melting pots of the races, Club Dead is an almost-exclusively supernatural hangout, sprinkled only here and there with the presence of humans.
The audiobook version is narrated brilliantly by Johanna Parker, who perfectly captures Sookie Stackhouse’s spunky fire and angsty gloom. The southern colloquialisms roll off Parker’s tongue like sweet lemonade on a hot Texas summer day. Her portrayal of the dark, menacing power of the vampires, werewolves, shapeshifters, and other supernatural beings is no less impressive. Often the force of her narration made me jump or sent tingles down my spine, which is just what you want from a good audiobook.
Even with its lackluster plot, Club Dead is a worthy addition to the Southern Vampire Mysteries, and anyone who has enjoyed the first two novels will certainly want to continue the adventure. Fans of the TV show True Blood should also pick up these novels and experience firsthand the witty, brilliant, sometimes-twisted mind of Charlaine Harris.
To promote the upcoming release of Oddly Enough, a collection of nine short stories about “vampires, werewolves, ghosts, unicorns” Full Cast Audio, and Bruce Coville, are offering a free short story. It doesn’t have any vampires, werewolves, ghosts or unicorns, but it does have “a demented Scottish brownie.”
Clean As A Whistle
Club Dead