Escape Pod: All You Zombies by Robert A. Heinlein

SFFaudio Online Audio

Escape Pod’s Episode 200 is finally out! It’s one of my favourite time travel stories. In fact, All You Zombies is one of the most popular time travel stories of all time (according to a quick poll conducted at The Restaurant At The End Of The Universe). Listening to it now reminds me that gender reassignment surgery was a recurring theme in Heinlein’s writing (think I Will Fear No Evil). Thanks Escape Pod!

Escape PodAll You Zombies
By Robert A. Heinlein; Read by Steve Eley
1 |MP3| – [UNABRIDGED]
Podcaster: Escape Pod
Podcast: July 2, 2009
“I was polishing a brandy snifter when the Unmarried Mother came in. I noted the time—10:17 P. M. zone five, or eastern time, November 7th, 1970. Temporal agents always notice time and date; we must.”

Podcast feed:

http://escapepod.org/podcast.xml

All You Zombies by Robert A. Heinlein - The Magazine of Fantasy and Science Fiction, March 1959

Posted by Jesse Willis

Lawrence Block ‘writing no more novels’ and ebooks sussed

Aural Noir: News

NewsweekThis is a two ideas in one post.

1. One of my favourite authors, Lawrence Block, was group interviewed with a bunch of other writers (none of whom I’ve read). He’s got some very concise and wise words on the whole ‘ebook/Kindle killing paperbooks’ prediction (and why CDs vs. iPod is not an analogous situation):

“I don’t think anybody really expects e-books to supplant printed books, because I don’t think that they’re ever going to be that much more enjoyable a way to read a book. It was different with downloads and iPods; that’s a better way to hear music than a CD is. I think that what e-books will do is enable people to carry a few hundred books with them on a trip rather than struggling with a suitcase to take five along. But I don’t think it will be the same transformative thing that audible downloads have been.”

2. Block also mentions that he’s ruminating about ‘not writing any more novels’:

“I’ve reached a point now where I’m slowing down and thinking that there may not be more novels. It’s been enough years and enough books so that anything I had to say to the world I’ve long since said and probably repeated myself enough times to be done with it. But it’s interesting to contemplate not doing it anymore.”

And here’s the recent TV appearance confirming the same declaration:

To that ‘no more novels’ line I say: “Ok.” Unlike Craig Ferguson I can understand why Block might be done with novels. And not just because he’s done me a big service in writing so many great novels already. Block’s novel vacation (or novel retirement) will give Block more time to write more short stories. Yeah, more short stories and more novellas. I’m willing to try any other piece of writing he’s up for writing because I read writers and not novels. The analogous situation to me is to cheer for individual pro athletes rather than the teams they are currently playing on.

HERE is the full Newsweek interview.

Posted by Jesse Willis

Review of A Stir of Echoes by Richard Matheson

SFFaudio Review

A Stir of Echoes by Scott BrickA Stir of Echoes
By Richard Matheson; Read by Scott Brick
6 CDs – 6.5 hours – [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2009
ISBN: 9781433267451
Themes: / Horror / Ghosts / Suburbs /

I love a good ghost story, and this certainly is one. A Stir of Echoes was originally published in 1958, but there is very little in the novel that dates it. Either Richard Matheson has a knack for not mentioning things that will become dated, or our lives haven’t changed all that much since the 1950’s.

Tom Wallace and his wife live in the suburbs. At a party, Wallace agrees to be hypnotized, which inadvertently opens a door in his mind to psychic communications. He sees some future events and senses motives and desires of others, but most disturbing is the ghostly woman who keeps showing up in his house.

Like I Am Legend, this novel is very internal. It’s all about Wallace, what he’s thinking, what he’s feeling, and his perception of everyone else. For narrator Scott Brick, this novel presented an opportunity for a great dramatic reading, and he delivers. There’s no doubt how Wallace is feeling, and it’s not always the words that tell us. Brick’s performance is stirring, and his intensity grows as Wallace’s grip loosens. A thorougly entertaining production.

Blackstone Audio is building a very nice collection of Richard Matheson’s fiction. Jesse recently reviewed I Am Legend and Other Stories, and forthcoming is another collection: Nightmare at 20,000 Feet: Horror Stories by Richard Matheson.

Posted by Scott D. Danielson

Review of The Red Panda Adventures – Season 4

SFFaudio Review

Superhero Audio Drama - The Red Panda Adventures - Season FourThe Red Panda Adventures – Season 4
By Gregg Taylor; Performed by a full cast
12 MP3 Files via podcast – Approx. 6 Hours [AUDIO DRAMA]
Podcaster: Decoder Ring Theatre
Podcast: September 2008 – May 2009
Themes: / Fantasy / Superheroes / Mystery / Crime / Adventure / Marriage / Toronto / Magic / South America / Dinosaurs /

“I’m not implying mystic threats, foreign powers and shadowy organizations aren’t important. But sometimes they do disconnect us from the street.”

After four years and 48 episodes Gregg Taylor’s writing is still amazingly fresh. It’s super-quotable too. As I listen I find myself writing down, here and there on scraps of paper, lines of dialogue. That’s terrific writing folks. Is it kind of sick that I even enjoy the commercials?

“I like all of those words.”

Speaking of words, in the opening lines of the new season Kit Baxter is no longer just the red panda’s “driver” now she’s his “fiance”! Another change is the introduction of a new sponsor (fast and easy weight loss dot com). Still around are the charming birthday wishes and other greetings from family members around the world who spend their dollars on keeping the Red Panda show going.

I’ve got a detailed episode by episode review below (minus any serious spoilers)…

Episode 1 – “The Third Wave
The season 3 finale of The Red Panda Adventures set up a Nazi scientist called Professor Von Schlitz to be the major villian for Season 4. So it wasn’t too shocking to have him take the first scene of episode one The Third Wave, of Season 4. As the show begins Schlitz and his new pilot are headed toward a secret lair in the jungles of South America. All is proceeding normally. Then SLAM! A twist I didn’t see coming. This opening shocked me! First there was the introduction of a new superhero, a man named “Captain Tom Sunlight” (played by Christopher Mott) – apparently an ally of The Red Panda’s. Second, I realized just how much Von Schlitz is a pastiche of two Raiders Of The Lost Ark villains (Belloq and Toht). An auspicious beginning. With this episode The Red Panda has now done something previously “unthinkable.” The rest of the episode deals with a frightening 1930s phenomena – with the title of the band of villains taken from a 1967 high school history class experiment.

Episode 2 – “The Mask of Death
This episode feels like the Red Panda Version of The Taking Of Pelham 123 but with zombies! A train station full of passengers is held for ransom. The arch-villain involved is another tenured teacher, Professor Zombie! playing junior panda member Harry is rather obviously female (and not male) – this is a problem I can’t see around. Finding child actors of talent are difficult, adults playing children ditto.

Episode 3 – “Murder In The Castle
The scenic Casa Loma is the setting for this season’s locked room mystery. A locked castle mystery actually as an unexpected murder that interrupts Kit’s romantic evening with her groom-to-be. This episode feels like a Nero Wolfe plot (minus the many confusing characters). Does old RP have a rooftop orchid garden?

Episode 4 – “The Gathering Storm
A full-scale dimensional breach imperils 1930s Toronto and only Red Panda and his trusty side-kick are up to the task of patching it back up. This episode clearly demonstrates the way magic is handled in the Red Panda universe. Scientists, especially ones named Chronopolis, can wrap their heads around the mystical arts and mystical objects – sometimes they just can’t control them.

Episode 5 – “Trial By Terror
Barton Meyer, an orderly at the Queen Street Lunatic Sanitarium, meets an old resident who claims to have been “born here.” The Electric Eel (performed by Scott Moyle) is home at last! With his incredible powers, and made up entirely of energy, he’ll team up with a few imprisoned residents/patients at the mad house (The Genie and The Jackrabbit). But this dastardly team-up doesn’t want to kill the Red Panda, they want to put him on trial in order to determine his sanity. The results? An electrifying episode.

Episode 6 – “The Boy In Blue
Constable Andy Parker, voiced by Brian Vaughan, best known from previous episodes of RPA for his crush on Flying Squirrel (like pretty much everyone else who listens to the show) takes center stage in this tale of police corruption. Is Parker working for The Syndicate or is there a more innocent explanation for him palling around with dirty cops? Which reminds me, all this Parker/Syndicate has got to be a nice little shout out to Richard Stark. I tell you that Greg Taylor packs a whole lot of goodness into each episode. Another thing to take note of in this episode is the new “Pappy” moniker Kit Baxter is floating for her husband-to-be.

Episode 7 – “The Golden Idol
A new superhero is prowling the streets of Toronto. He’s got super-strength, can fly and seems more than capable of replacing the Red Panda – the only question is: Why? Christopher Mott playing the ever excitable Mad Monkey makes an appearance – meaning he steals the show – in this case almost literally. Fun stuff!

Episode 8 – “I Dream Of Genies” Modern technology allows banks to secure their vaults better than ever. 17 stories into the sky they’re safe aren’t they? But can they stop a heat ray wielding villain on a flying carpet? Probably not. There’s a very cool audio montage in this ep. That’s something I don’t ever remember ever hearing before! Actor Brian Vaughan returns, reprising his super-villain role as The Genie from Seasons 2 and 3 (and 4).

Episode 9 – “Jungle Of Terror
Paying back a favour to their superhero buddy, Captain Tom Sunlight, Red Panda and Flying Squirrel fly into a South American jungle. There they discover a strange gateway, an old enemy, and some very large and very hungry fauna. This episode feels inspired by Sir Arthur Conan Doyle’s The Lost World. This is a cool away adventure. I hope RP and FS can do more of these next season.

Episode 10 – “The Crimson Death
Returning from South America with her fiance, the Flying Squirrel is all aflutter about her upcoming nuptials to her partner in crime-fighting. Luckily, there’s been a series of mysterious murders in Toronto while they’ve been away; solving them will be the perfect distraction from her wedding jitters. Her first stop: A visit to the Queen’s Street Lunatic Asylum. Whoever is responsible has some mean-ventriloquism chops, is invisible and wields fire. What an odd combination! This is the shortest (and probably weakest) episode of the fourth season – but that doesn’t mean it’s bad. There’s plenty of wonderful character development in between all that invisible, fire-throwing, voice-chucking menace.

Episode 11 – “Endgame
Tied up and hanging above a vat of acid Commander Varkin has the Red Panda and Flying Squirrel just where he wants them – now for the speechifyin’. Varkin (voiced by Gregory Z. Cooke) is a Blowfeld type villain – he fills us in on the season spanning conspiracy – and unleashes a lot more than hot air. But that isn’t the dynamic couple’s only problem, it seems that a vat of acid and a world domination speech aren’t enough for Varkin as a dangerous virus and secret partner will keep Squirrel and Panda busy. The perfect penultimate play? Possibly!

Episode 12 – “Operation Cold Feet
Kit Baxter’s even more antsy with her impending wedding just days away. But what’s up with all the false Red Panda sightings? They don’t seem to bother the real Red Panda. But when a fake Flying Squirrel makes a newspaper appearance Big Red nearly chokes on his toast! In this episode we finally learn the true identity of the Red Panda! For the previous 47 episodes Gregg Taylor has managed to side-step revealing our hero’s real name. Even characters who should have known the name of the man “who wears the mask of the Red Panda” have carefully not spoken it up to this point. He’s been called “Pappy” and “Puddin” by Kit Baxter, “my dear boy” by his fellow wealthy peers Toronto, really everything but “hey you.” It’s a name that’ll be remembered with the likes of Lamont Cranston and Bruce Wayne.

Happy Canada Day everybody, go celebrate with some RED PANDA!

Here’s the podcast feed:

http://decoderring.libsyn.com/rss

Posted by Jesse Willis

The Tolkien Professor: Lectures on J.R.R. Tolkien

SFFaudio Online Audio

The Tolkien Professor
The Tolkien Professor podcast is a series of lectures on the works of J.R.R. Tolkien by Corey Olsen, Assistant Professor of English at Washington College in Maryland. Sez Olsen:

“In my lectures, I am working through The Hobbit and The Lord Of The Rings in detail, doing close readings of the stories (and the songs!) in order to explore the fascinating details of Tolkien’s world while also tracking some of the large, important themes in Tolkien’s fiction. I am currently in the middle of my eight-part series on The Hobbit; read along with me! After you listen, swing by my website to take part in my discussion board or to check out my online Tolkien bookstore.”

I’m going to be listening to these lectures soon!

Olsen is a big proponent of audio in academe, he’s performed Thomas Malory’s The Tale of Sir Lancelot aloud, and he’s the narrator of an unabridged recording of William Langland’s Piers Plowman (in Middle English).

Podcast feed:

http://www.tolkienprofessor.com/rss_feed.xml

iTunes 1-Click |SUBSCRIBE|

[Thanks Julie!]

Posted by Jesse Willis

Review of Julian Comstock by Robert Charles Wilson

SFFaudio Review

Science Fiction Audiobook: Julian Comstock by Robert Charles WilsonJulian Comstock: A Story of the 22nd Century
By Robert Charles Wilson; Read by Scott Brick
21 Hours – [UNABRIDGED]
Publisher: Macmillan Audio
Published: 2009
Themes: / Science Fiction / Government / Aristocracy / History / Politics / Global Warming / Civilization / Theocracy /

The United States of America has changed. Global warming fears have come to pass, Christian groups have become a stronger part of the government (practically its own branch, called The Dominion), aristocracy has ascended because fewer and fewer have access to so much. The average citizen in this 22nd century view of the future have taken a step backward. The scientific past has retreated into myth, and superstition rules the day.

In short, Robert Charles Wilson has taken a particular view of what the United States is and has taken it to extremes in “if this should continue” science fiction tradition. The characters do not feel futuristic – instead they feel historical. Like Firefly in a way, the characters are straight from the 19th century. This creates a very interesting juxtaposition of time: A possible future that’s really a look at the present, but with characters that feel historical. Sci-Fi Wire quotes Wilson on this:

The past regarding the present from the future—that’s a literary effect only science fiction can achieve, and that’s what I was aiming for, a kind of simultaneous triple perspective. We think of the past as quaint and the present as mundane and the future as, well, futuristic—but so did our great-grandparents, and so will our great-grandchildren. ‘All times have been modern,’ as the French composer Nadia Boulanger said.

The novel is told by Adam Hazzard, a friend of Julian Comstock, who is aristocrat (the Comstock family has held the Presidency for years and years). Hazzard tells us right up front that he’s writing this biography of Comstock because Comstock has become a great man.

The first scenes have the two as young men looking through a pile of discarded books. They take what they can carry, but Comstock gives a specific book to Hazzard; a history of manned exploration of the Moon. Hazzard doesn’t believe such things actually happened, but accepts the book anyway, and wonders.

From there, Hazzard uses events like this one to show readers the life of Comstock, but everything is colored through Hazzard’s point of view. In a way, the book is like a Sherlock Holmes novel, but Wilson has created a much more interesting character in Hazzard than Doyle ever did with Watson.

Scott Brick takes full advantage of the Hazzard character, and does well with the 19th century sensibility of all the characters. This book has a whole lot of detail and a whole lot of lengthy conversation between the main characters about various subjects. Brick keeps it interesting, like he always does. We even get to hear him speak French when the characters spend time in Montreal.

This novel is rich and draws on a rich tradition. A Canticle for Leibowitz, The Postman, and Earth Abides all leap to mind, but this isn’t a homage or a retelling of those books. This is a story that looks at the present in a way that only science fiction can.

Posted by Scott D. Danielson