Audible.com PRESS RELEASE details: More CLASSIC SFF is coming

SFFaudio News

Audible FrontiersMere days after we brought you the stories of Audible’s new big Science Fiction and Fantasy audiobook push, we received an official press release with plenty of details you’ll dig! Here are the new facts:

“…We [Audible.com] are also making a concerted effort to bring all-time classics to the listening audience. The Hugo-winning THE BIG TIME by Fritz Leiber is already in the store. Roger Zelazny’s LORD OF LIGHT and THIS IMMORTAL are currently in production. So, too, is Fritz Leiber’s entire LANKHMAR series, featuring Fafhrd and the Gray Mouser. And there are more classics to come.”

And this…

“Very soon, we’ll be introducing the first set of titles we’re producing in partnership with HarperCollins’ Eos line: the ACORNA’S CHILDREN series by Anne McCaffrey & Elizabeth Ann Scarborough; STAR STRIKE, the first book in Ian Douglas’ INHERITANCE trilogy; BAD MONKEYS by Matt Ruff, and HUNTER’S RUN by George RR Martin, Gardner Dozois and Daniel Abraham.

Also, via our ongoing partnership with Harlequin, we’ve been producing more and more fantasy & paranormal romance titles, by Maria V. Snyder, C. E. Murphy, and others.”

And there’s still more:

“In the near future, we’ll also be bringing a number of great series into audio by Kristine Kathryn Rusch, David Eddings, Dave Duncan, and more.”

Further…

“Also each month, we’ll have an exclusive guest essay by a leading SF&F writer. This column will also serve to highlight a list of titles available at Audible. It will also give us an opportunity to promote titles by the guest columnist. Our lead-off columnist is Ben Bova. In the coming months, our Guest Editors will include Robert J. Sawyer, Kevin J. Anderson, and more.”

And that’s the long and the short of the new information. A lot of people hate DRM with a passion of a burning sun (I’m one of them), and so hearing that so many choice titles are going to be made available exclusively on Audible (which is totally into DRM) is a mixed blessing. The good news is that most every, if not every title on Audible.com is able to be burned to CD.

Clear your schedules folks, we’ve got lots of listening to do!

Posted by Jesse Willis

Review of Fool Moon by Jim Butcher

SFFaudio Review

Fantasy Audiobook - Fool Moon by Jim ButcherFool Moon: Book Two of the Dresden Files
By Jim Butcher; Read by James Marsters
1 MP3 Disc or 8 CDs – Approx. 10.5 Hours [UNABRIDGED]
Publisher: Buzzy Multimedia
Published: 2003
ISBN: 9780965725583
Themes: / Fantasy / Mystery / Magic / Private Detective / Wizard / Noir /

The fantastically grey world of Wizard Harry Dresden is back in this, the second book of the series. Harry Dresden is still a private investigator who has special supernatural powers that people who believe in him would call being a Wizard. Those who do not believe in such things might call him a fake. This coupled with the fact that Dresden still has the ability to get himself in to the deepest and darkest of trouble makes for a equally fun and entertaining read.

Fool Moon takes place less than a year after the climax of Storm Front (Dresden, Book 1). As the title suggests, Fool Moon spends much of its time dealing with supernatural creatures of the night known to us as Werewolves. And as it turns out there is a lot I did not know about werewolves. There are many different ways to become one and there are many different versions of them as well. So, even if you are not an expert in werewolves, don’t worry, because neither is our hero, Mr. Dresden.

For two months, when the moon is full, certain people have been dying horribly gruesome deaths and Dresden finally gets a call from his friend and main source of income, Detective Murphy. She’s the head of the city’s special investigations and leans on Harry whenever the mystery has a twinge of the unexplainable. When Dresden gets the call from her, he jumps at the chance to pay the bills and put some food on the table. The moon is full for four nights and that’s all the time they have to solve the murders. As they start to connect the pieces to the puzzle, they both begin to realize that they are not prepared for what is about to happen.

The details and story are dark and horrifying. Dresden is the consummate intuitive detective, acting on things that he isn’t quite sure about, but just has a solid hunch or gut feeling. His sage-like wisdom often leads him in the right direction, but also leaves him asking the question, “Now what?” These intuitions are what I like best about Harry. His wizardry is more than just using magic. It’s more like an innate ability to look at any given situation from a different perspective.

It always gets him in to trouble, not because he is wrong, but because he is right about so many things. You might find yourself pitying the poor wizard as he follows his nose and heart in to trouble. He gets beaten to a pulp more than once and I was wondering how much more could he take? Trust me, Harry Dresden gets pushed to the physical and mental limits in this story and the depths he visits, both magically and psychologically, are sure to get your heart pumping. The thought “don’t go there” crept in to my mind more than once. The Harry Dresden “hat tricks” will put a smile on your face and keep you asking for more.

I like the way Dresden is written, always telling the tale in a first person. It sucks you in to Dresden’s brain. It’s from his perspective, which isn’t always correct. But, you’re in it with him. Dresden often makes decisions based on his point of view or the facts that he has at the time, like we all do and some times. It’s just not every day that we are all making life or death decisions on how to best defeat a violent, man eating beast, like Harry does in this book.

The first person narrative is perfect for the audio book outlet. In fact, it’s almost as if these words were meant to be spoken out loud. The text is not too proper and not too relaxed either. Just right. The book is narrated stunningly well, once again by James Marsters, AKA Spike of Joss Whedon’s Buffy the Vampire Slayer and Angel. He’s able to capture the essence of the character, moment by moment. He immortalizes the wit, sarcasm, and underdogedness of Dresden in a single paragraph, all while sounding incredibly relaxed. It’s just another telling of a story straight from the guy it happened to.

Fool Moon is not unlike the previous production of Storm Front. In some places the audio production is flawed. There are periodical flubs by the reader, things that could be easily edited out of the soundtrack to bring the quality of the production in to the same level as the writing and performing. You can also hear the faint sounds of page turns and other pesky undesirables that only pull you out of the story that Jim Butcher and James Marsters are working so hard to keep you sucked in to. I have spoken about this before and will resist the urge to go on another tirade about the virtues of audible storytelling and the need for quality to assure the listener’s total absorption in to the world that they are listening to. So, I will only say that it is a little upsetting, because these are simple problems that even podcasters, such as J.C Hutchins and Scott Sigler, with their homegrown recordings have figured out how to avoid. Why not the professionals at Buzzy?

But, all criticism aside, if you are a fan of audio books and a fan of Harry Dresden, the flaws and inconsistencies in this production of Jim Butcher’s wonderful concoction Fool Moon are few and far between. The world he has created grows richer and deeper with every word. The story starts strong on page one and continues on full force until the end. That’s said of Harry Dresden, as well. He is growing as a person and a wizard and I am looking forward to listening to the next installment of the Dresden books. And with eight more of them published, including the newly released Small Favor, I am sure to have many, many more hours of Dresden to spark my imagination and to keep me wishing I had some of those tricks up my sleeve.

Posted by Michael Bekemeyer of the Scatterpod podcast.

New Releases – Jack O’Connell, Edgar Allan Poe, Tee Morris, C.S. Lewis, Ayn Rand

New Releases

This sounds just up our alley! it’s described as “Gritty noir fiction, mind-bending fantasy, and medical thriller combine in a new novel by an author dubbed the ‘cyberpunk Dashiell Hammett.'” Noir and Fantasy! Yum yum!

The Resurrectionist
by Jack O'ConnellThe Resurrectionist
By Jack O’Connell; Read by Holter Graham
9 CDs -11½ Hours [UNABRIDGED]
Publisher: Highbridge Audio
Published: April 2008
ISBN: 9781598875942
[LISTEN TO AN MP3 SAMPLE]
Sweeney is a druggist by trade; Danny, his son, is in a persistent coma, the victim of an accident. Hoping for a miracle, they have come to the Peck Clinic, a fortress-like haven in a post-industrial city overrun by gangs. Doctors there claim to have resurrected two patients who were similarly lost in the void. Gradually, Sweeney realizes that the cure for his son’s condition may lie in “Limbo,” a fantasy comic-book world into which Danny had been drawn at the time of his accident. Plunged into the intrigue that surrounds the clinic, Sweeney searches for answers and instead finds sinister back alleys, brutal dead ends, and terrifying rabbit holes of mystery.

Narrator Wayne June assures us that he’s done his research on this new series of definitive Edgar Allan Poe readings…

Into That Darkness Peering: Nightmarish Tales Of The Macabre Vol. 1Into That Darkness Peering: Nightmarish Tales Of The Macabre – Vol. 1
By Edgar Allan Poe; Read by Wayne June
1 CD – [UNABRIDGED]
Publisher: AudioBookCase.com
Published: March 2008
ISBN: 0977845303
Three tales from the original master of horror fiction, Edgar Allan Poe! Included in this collection are “The Raven”, “The Black Cat” and “The Cask Of Amontillado.”

Tee Morris returns to his, and the world’s first podiobook, restoring lost scenes, adding more production and voices from other favorite podcasters. Read our review of the original version HERE, then set sail with Rafe and Askana again…

Morevi RemasteredMorevi: The Chronicles of Rafe and Askana (Remastered)
By Tee Morris and Lisa Lee; Read by Tee Morris and others
Podiobook (a podcast novel) – [UNABRIDGED?]
Publisher: Podiobooks.com
Published: 2008
Morevi, a landlocked kingdom shrouded by jungles and mystery, falls under the rule of Askana Moldarin. In the dawn of this New Age, hidden traitors in her own regime threaten to destroy everything. The First Queen, independent of council, seeks help to reveal the conspiracy against her… Enter Rafe Rafton, captain of the Defiant.

Soon to be a major motion picture, already an audiobook!

The Chronicles Of Narnia: Book 2 - Prince Caspian (Movie Tie-In)The Chronicles Of Narnia: Book 2 – Prince Caspian (Movie Tie-In)
By C. S. Lewis; Read by Lynn Redgrave
CDs – [UNABRIDGED]
Publisher: Harper Childrens Audio
Published: April 2008
ISBN: 0061435279
Narnia is in trouble! All the magical creatures and Talking Animals have been forced into hiding by an evil king. Fortunately, young Prince Caspian escapes in time to lead the Old Narnians in the fight for their freedom. But when the battle goes badly, Caspian blows an enchanted horn. Suddenly Peter, Susan, Edmund and Lucy Pevensie are pulled back into Narnia from England, where they had returned after defeating the evil White Witch. In a race against time and with the aid of the Great Lion, Aslan, they join Caspian and his army in a battle to restore peace throughout Narnia.

At over 1,000 pages in length this is the longest work of speculative fiction published between two covers (Mission Earth by L. Ron Hubbard was published in separate volumes) – it becomes now one of the longest audiobooks ever made at a backbreaking 38 CDs!

Atlas Shrugged by Ayn RandAtlas Shrugged
By Ayn Rand; Read by Kate Reading
38 CDs – Approx. 40 Hours [UNABRIDGED]
Publisher: Books On Tape
Published: March 2008
ISBN: 1415949247
First published in 1957, Atlas Shrugged was Ayn Rand’s greatest achievement and last work of fiction. In this novel she dramatizes her unique philosophy through an intellectual mystery story that integrates ethics, metaphysics, epistemology, politics, economics, and sex. Set in a near-future U.S.A. whose economy is collapsing as a result of the mysterious disappearance of leading innovators and industrialists, this novel presents an astounding panorama of human life-from the productive genius who becomes a worthless playboy…to the great steel industrialist who does not know that he is working for his own destruction…to the philosopher who becomes a pirate…to the woman who runs a transcontinental railroad…to the lowest track worker in her train tunnels. Peopled by larger-than-life heroes and villains, charged with towering questions of good and evil, Atlas Shrugged is a philosophical revolution told in the form of an action thriller.

Posted by Jesse Willis

Review of Melting Stones by Tamora Pierce

SFFaudio Review

Melting Stones by Tamora PierceMelting Stones
By Tamora Pierce; Read by Grace Kelly and the Full Cast Audio family
8 CDs – 8.5 hours – [UNABRIDGED]
Publisher: Full Cast Audio
Published: 2007
ISBN: 9481394180051
Themes: / Fantasy / Young Adult / Magic / Earth / Volcano /

I’m always excited when a new audiobook from Full Cast Audio comes across my desk, but this one was special, because the book doesn’t even exist in print at this time. Nope – this is an audio exclusive, folks! Tamora Pierce wrote this book with the Full Cast Audio family in mind, and it’s a wonderful audiobook.

The book’s main character is Evvy (a short form for Evumeimei), a young girl who is a stone mage. The book begins with her traveling on a boat, which is a difficult thing for a stone mage, because the separation between her and the rocky ground where here magic is effective is too great. She is accompanied Luvo, a heart of a mountain, who has very powerful magic, and a water mage named Dedicate Myrrhtide. The group ends up on an island called Starns Island after being drawn there by earth movement felt when the water was shallow enough. From there the adventure really kicks in, as the small band of mages try to calm the moving earth.

The audiobook is done in the distinctive Full Cast Audio style – it’s unabridged, but read by a full cast. I fear sounding like a parrot, but every review I write of a Full Cast Audio audiobook needs to convey the absolute quality of the audio experience that you get with one of these books. Full Cast Audio consistently enhances the text they are performing. Their audiobooks are unique, and a joy to hear.

Melting Stones is no exception. Grace Kelly performs Evvy, and therefore has the main narrating duties, since the book is told from Evvy’s point of view. Tamora Pierce gave Grace much to work with, and work with it she does. She offers a captivating and believable performance as the plucky young stone mage. Surrounding her is a large cast that, without exception, performs well. Seamless editing makes it all work together, giving us another excellent piece of work from Full Cast Audio.

Posted by Scott D. Danielson

Review of Mainspring by Jay Lake

SFFaudio Review

Mainspring by Jay LakeMainspring
By Jay Lake; Read by William Dufris
Audible Download – Approx. 13.5 Hours [UNABRIDGED]
Publisher: macmillan audio / audible.com
Published: December 2007
Themes: / Science Fiction / Fantasy / Alternate Universe / Steampunk / Religion / Angels / Science /

The mainspring of the Earth is running down, and disaster to the planet will ensue if it’s not rewound. To do the job the Archangel Gabriel approaches a young clockmaker’s apprentice and explains the problem. He can’t be that surprised, in a clockwork solar system, where the planets move in a vast system of gears around the lamp of the Sun – how could he be? This is a universe where the hand of the Creator is visible to anyone who simply looks up into the sky and sees the track of the heavens, the wheels of the Moon, and the great Equatorial gears of the Earth itself.

Clockmaker’s apprentice Hethor Jacques is graced by a visit from the Archangel Gabriel. Gabriel tells him that he’s been chosen to re-wind the running down mainspring of the earth. If it isn’t re-wound, the world will end – and as such he must find something called “the Key Perilous” (the Mainspring equivalent of our “Holy Grail”). A series of short introductions and good-byes later (with the help of a friendly librarian), Hethor is pressed into the service of a Royal Navy airship (the Bassett) and soon is heading south towards the equatorial wall, atop which the brass gear-works of the Earth and its orbital track meet. Beyond that barrier lies the mysterious ‘Southern Earth.’ Hethor’s quest will take him there and farther south – to the ends of the earth – one way or another.

In a clockwork world who could doubt the existence of God? None, but some still doubt the existence of angels. And that’s just what happens to Hethor. His master and betters think him at best a liar, at worst a thief, and poor young Hethor seems ill-equipped to save the universe. Luckily, a quick trip to the library and he’s on the right track…

Talk about hard to categorize! Jay Lake’s Mainspring offers an utterly unique vision of a world in which the Medieval ideas about how the universe works are literally manifest. Great premise, but it is an undercooked universe that I didn’t wholly buy. The alternate universe changes are interesting, but are not often well grounded. For instance, in the Mainspring world Jesus wasn’t crucified (nailed to a cross), he was ‘horofixed,’ (strapped to a wheel) – kind of makes sense right? Okay, that’s cool – but why, other than for style, did the United States never revolt from the English crown? Why the 19th century airships? Don’t get me wrong, I love airships, but there doesn’t appear to be a logic to their addition. We don’t find out much about the logic for the changes that aren’t obvious either. And that’s basically its problem. Mainspring has many elegant epicycles around its central action, but that action all lacks a core motivation. How can you suspend disbelief if the force of gravity is both an absent actor in the grand scheme (cosmically) but appears to act locally (people aren’t strapped down to the earth)? There are many flourishes, but there are also so many sidesteps to what should be natural consequences. This makes Mainspring have a mechanical, almost “rail-shooter”-novel feel to it. For instance, the novel insists that gravity isn’t what keeps the earth in orbit around the sun (it’s a massive brass clockwork instead), but what keeps the objects on the Earth on the ground? What keeps the airships up (or down)? None of this is answered – or even addressed. I kept hoping that some revelation, something central to the novel, would be revealed, right up to the final pages. Maybe this universe has an intensified magnetic force in it or something? Instead, no, nothing.

Also underdeveloped, and tragically so, is the religious thread. The consequences of seeing the mechanism of what is clearly “creation” in this world are not explored to any significant degree. Indeed, the ramifications from a created world, a world that ‘can run down’, are so lightly touched upon as to be non-existent. The focus is on the adventure of the naive Hethor, his meager beginnings and his sexual awakening. Mostly though, Mainspring is a series of encounters, and visual incredibilities. Like I was saying earlier, it is all undercooked. Jay Lake has vision and talent but this feels far more like his “Count Zero” novel than his “Neuromancer.”

Mainspring is one of the new batch of “exclusive to audible” titles. Veteran narrator William Dufris brings a calm assurance to the many characters who live in a world that seems normal to them, and crazy to us. Sound quality isn’t quite as good as from CD (but this title isn’t available on CD). Once installed, the audible.com download software and the audible checkout system integrate well. It isn’t quite “one click” ordering, but once you’ve made your choice you can have an audiobook on your portable media player and ready to play in less than 30 minutes. I use an iPod Nano, which displays the cover art and bookmarks the files perfectly. I could switch between a regular playlist, a podcast, and multiple audiobooks (from Audible) without losing my place. The experience of listening to and downloading an audiobook from Audible to your iPod is virtually identical to what iPod podcast users get.

Posted by Jesse Willis

Commentary: The Metamor City Podcast

SFFaudio Commentary

Metamor City Podcast[Editor’s Note: In this commentary one of SFFaudio’s highly valued behind the scenes contributors, Nick Gassman, talks on the record about a recent podcast fiction series he’s been enjoying.]

Imagine a world where magic has developed alongside technology. A world where the fabric of a city is maintained not only by gravity and physics, but also by magic. That’s the world that Metamor City is situated in.

It’s also a city where the police chief is a wolverine, the chief medical examiner is a vampire (her ‘special’ attributes make her outstanding at her job), and where the normal people are called ‘mundies’, for ‘mundanes’, having no special skills or attributes. Mundies, and a potentially unlimited range of mythical and fantastic creatures live cheek by fang together, and in general manage to get along OK. But where there’s tension and conflict, usually between races (if that’s the right word), then that’s where the interest lies for the fiction.

It’s a city full of potential for the exploration of many themes, and one which the author, Chris Lester, exploits to great advantage. The Metamor City podcast is a thorough, in depth look at the characters and events of this fantastic metropolis. Lester’s style isn’t about fast moving action. The mix of short and long stories take their time to explain, explore, dissect, discover. The motivations of characters are important here, and there will be dwelling on detail if Lester feels it necessary to create a believable world – which it is.

The focus of the stories is the city itself, and all the rich variety that it contains, rather than a particular character. Stories are told from different perspectives, and characters could be major, minor, or absent from one story to the next.

The first few podcasts are narrated (well) by individuals, and then change to a cast who speak for each character, whilst Lester retains his role as the linking narrator. The quality is superb, with the ‘acting’ only a whisker away from full professional, and with nothing left to be desired from the production, and integration of music and sound effects. These sounds always add to the dramatic effect, unlike many podcasts (and, indeed, professional productions), where they can be intrusive, typically due to excessive volume or inappropriate material (cue very lengthy sound effect of footsteps).

If you want fast paced action, this isn’t for you. But if, like me, you hunger for great storytelling, great production, and a setting full of potential, then you’ll want to put this podcast high on your list of priorities.

Subscribe to the podcast via this feed:

http://feeds.feedburner.com/metamorcity

Posted by Nick Gassman