Icebox Radio: Halloween (audio drama) lasts 24 hours

SFFaudio Online Audio

Icebox Radio TheatreIcebox Radio, is featuring “24 Hours of Terror”, a solid day of horror lasting the 24 hours that is Halloween 2009.

Here’s the schedule:

Midnight – Oct 31, 2009
Atlanta Radio Theater Company: Brides Of Dracula 1
Atlanta Radio Theater Company: Brides of Dracula 2

1:00am
Atlanta Radio Theater Company: Brides of Dracula 3
Union Signal: Dead Man’s Hole

2:00am
Darker Projects: Man in the Chair
The Grist Mill: The Homecoming
Imagination-X: Background

3:00am
Chatterbox Audio: The Dead Girl

4:00am
Chatterbox Audio: The Dead Girl

5:00am
19 Nocturne Blvd.: Dracula Dot Com
Imagination-X: Up on the Rooftops

6:00am
Sound Effects: Haunted Sounds
Disney: Thrilling Chilling Haunted House

7:00am
Disney: The Haunted Mansion
19 Nocturne Blvd.: For Art’s Sake

8:00am
Darker Projects: Byron Chronicles: The Taint
Darker Projects: The Man in the Chair
Imagination-X: Mandible Hill

9:00am
BrokenSea Audio Productions: Kolchak

10:00am
BrokenSea Audio Productions: Kolchak
Ice Box Radio Theatre: 3 Skeleton Key
Disney: Thrilling Chilling Haunted House 01

11:00am
Willamette Radio: Murder of Crows
Darker Projects: Zombie Pumpkinheads From Outerspace
Haunted Sounds: House Labratory 05

Noon
Atlanta Radio Theater Company: Shadow Over Innsmouth

1:00pm
Atlanta Radio Theater Company: Shadow Over Innsmouth
19 Nocturne Blvd: Thrice Tolled Bell

2:00pm
Bells In The Batfry: The Spectre Bride
Ice Box Radio Theatre: Revolt of the Worms
Haunted Sounds: Entering the Haunted House 01

3:00pm
19 Nocturne Blvd.: The Temple
OTR: The Thing On The Fourbleboard

4:00pm
Ice Box Radio Theatre: Pickaxe Hill
Ice Box Radio Theatre: The Bats
Haunted Sounds: Gathering Storm 03

5:00pm
The Grist Mill: If You Take My Hand My Son |READ OUR REVIEW|
Ice Box Radio Theatre: The Thing On The Ice

6:00pm
Final Rune‘s Halloween Show: LIVE

7:00pm
Final Rune’s Halloween Show: LIVE

8:00pm
OTR: War Of The Worlds (WKBW-Buffalo)

9:00pm
OTR: War Of The Worlds (WKBW-Buffalo)
19 Nocturne Blvd.: Force Majeure (Premiere!)
Imagination-X: The House In The Woods

10:00pm
The Grist Mill: God Of The Razor |READ OUR REVIEW|
Ice Box Radio Theatre: The Thing On the Ice

11:00pm
Imagination-X: Family Radio
Darker Projects: And God Looked

[Thanks Bill!]

Posted by Jesse Willis

Naxos Audiobooks: The Fall Of The House Of Usher, The Pit And The Pendulum & Other Tales Of Mystery And Imagination by Edgar Allan Poe

SFFaudio Online Audio

In lecture #4 of The Teaching Company’s Masterpieces of the Imaginative Mind: Literature’s Most Fantastic Works professor Eric S. Rabkin argues:

“The writing of Edgar Allan Poe has too often been dismissed for reasons that do not hold up under scrutiny. … The idea that he was an alcoholic is supported by the fact that he was found lying unconscious in an alley by a bar in his relatively young adulthood, in his 40s, and ultimately, a few days later died. In fact modern evidence that Richard Thompson at Purdue University has uncovered suggest that it is quite possible that Poe was allergic to alcohol, rather than an alcoholic. We have no evidence that he actually drank a lot. But even if he were an alcoholic claiming that his writing is nothing but the outpourings, as it were, of an alcoholic, is clearly foolish because if drinking alcohol made one a great and lasting writer the world would be full of them.

The idea that he was a pervert is based on the fact that he married his first cousin, who was only thirteen at the time, and that he never married again after her early death. It’s important to know that this first cousin, Virginia Clem, was of legal age when he married her, that marrying first cousins was not only legal but somewhat common at the time. His marriage was public, it was blessed by her mother. It was legal. It was devoted and it ended only with her death in 1847. They married in 1836, but in 1842, that is six years into the marriage, but five before her death, she was diagnosed with tuberculosis. And so for half of his marriage he lived in fear, in the knowledge, that his bride would come to an early demise. This does not sound to me like a pervert, it sounds to me like a deeply saddened man.”

On a happier note, Naxos Audiobooks, in cooperation with Audiofile magazine, are giving away an audiobook full of melancholy Poey goodness. It’s only available until midnight on October 31, 2009 (when the link will presumably turn into a 404 pumpkin) so get downloading!!

Naxos Audiobooks - The Fall Of The House Of Usher, The Pit And The Pendulum & Other Tales Of Mystery And Imagination by Edgar Allan PoeThe Fall Of The House Of Usher, The Pit And The Pendulum & Other Tales Of Mystery And Imagination
By Edgar Allan Poe; Read by William Roberts
45 Zipped MP3 Files – Approx. 4 Hours 52 Minutes [UNABRIDGED]
Publisher: Naxos Audiobooks
Published: 2003
ISBN: 9789626342831
The horrors of the Spanish Inquisition, with its dungeon of death, and the overhanging gloom on the House of Usher demonstrate unforgettably the unique imagination of Edgar Allan Poe. Unerringly, he touches upon some of our greatest nightmares – premature burial, ghostly transformation and words from beyond the grave. Written in the 1840s, they have retained their power to shock and frighten even now.

Stories included:
The Pit and the Pendulum, The Tell-Tale Heart, The Masque of the Red Death, Ligeia, The Raven, The Cask of Amontillado, The Fall of the House of Usher, The Black Cat, The Premature Burial, The Facts in the Case of M. Valdemar

Posted by Jesse Willis

Live in NYC: Frankenstein – Halloween Special

SFFaudio News

Oh to be in New York City on Halloween…

Radio Theatre NYC - FrankensteinFrankenstein – Halloween Special
Based on the novel by Mary Shelley; Adapted by Dan Bianchi; Performed by a full cast
Length: 1 Hour 20 Minutes [LIVE STAGE PERFORMANCE]
Venue: The Kraine Theater @ 85 E 4th St., NYC
Date: Saturday, October 31, 2009 @ 3pm
Tickets: smarttix.com
Details: General Admission, $18 with code VICTOR, 212-868-4444
Official website: horsetrade.info
In 1818, a 19 yr old girl, Mary Shelley, wrote the most influential, the most frightening science fiction novel of all time…about a scientist who dared to go where no man had gone before…in his quest to become God!

Posted by Jesse Willis

BBCR4: Bullitt

Aural Noir: Online Audio

Radio Times - Bullitt (BBC Radio 4 Saturday Play) by Jeremy Aspinall BBC Radio 4Very few people have heard of a novel called Mute Witness by Robert L. Fish (aka Robert L. Pike) – but many, many more have seen the 1968 film into which it was adapted: Bullitt, starring Steve McQueen and a Ford Mustang Fastback.

Personally I think naming a cop “Bullitt” just stupid. It’s like naming a fly fisherman “Rodd” or a janitor “Bukkett.” What you can’t argue with is that Bullitt is a good movie, with a really terrific chase sequence, despite the silly name.

A new radio play adaptation of the novel just aired on BBC Radio 4 and is currently available for listening via the BBC iPlayer. It’s also available over on RadioArchive.cc via torrent. But I got mine in the MP3 format via Radio Downloader. The voice acting appears to be by a British cast, playing New Yorkers. It works for me. See the Radio Times review, at left, for all the details.

BBC Radio 4 - BullittBullitt
Based on a novel by Robert L. Fish; Dramatized by Adrian Bean; Performed by a full cast
Broadcaster: BBC Radio 4 (Saturday Play)
Broadcast: 24th October 24, 2009 @ 14:30-15:30
“A gritty detective story set in the 52nd precinct in New York. Lieutenant Clancy is assigned to protect an important Mafia witness but when the witness is found dead Clancy has only a matter of hours to find the killer before his enemy, the assistant district attorney, finds out.”

Lieutenant Clancy ……………………….. Jason Isaacs
Ada Chalmers/Barnett/Renick/Johnny Rossi ……. Kerry Shale
Detective Kaprowski ……………………….. Lou Hirsch
Captain Wise/Johnny Rossi/Ships Officer ……. John Biggins
Dr Willard/Pete Rossi …………………… Stephen Hogan
Doc Freeman/Sergeant ………………….. Bruce Alexander
Detenctive Mark Kelly ……………………… Sasha Pick
Ann Renick/LAPD Officer …………….. Emerald O’Hanrahan
Hotel Manager/Chalmers’ Secretary ………….. Kate Layden
Directed by Pauline Harris

And though Halloween doesn’t really mean much in the U.K., BBC Radio 4 is doing something somewhat appropriate on this Saturday and the next following…

Haunted House: An Appointment With Fear
By Reece Shearsmith
2 Broadcasts – Approx. 60 Minutes [DISCUSSION]
Broadcaster: BBC Radio 4
Broadcast: October 29 and November 5, 2009 @ 11:30-12:00
Comic actor Reece Shearsmith hosts energetic and witty illustrated discussions on horror, before an audience inside the reputedly haunted Sutton House in Hackney. Reece examines some classic scary moments from British radio and television and explores the ingredients for a classic horror story. He is joined by horror enthusiasts Mark Gatiss, Vic Reeves and Yvette Fielding.

Here’s one thing even the best audio dramatizations can’t do very well…

[Thanks very much Roy!]

Posted by Jesse Willis

Review of Terminal Freeze by Lincoln Child

SFFaudio Review

Random House Audio - Terminal Freeze by Lincoln ChildTerminal Freeze
By Lincoln Child; Read by Scott Brick
9 CDs – Approx. 10 Hours 30 Minutes [UNABRIDGED]
Publisher: Random House Audio
Published: February 2009
ISBN: 9780739382028
Themes: / Horror / Thriller / Techno-thriller / Science / Biology / Evolution / Paleoecology / Alaska / Ice / Ice Road Trucking /

Four hundred miles north of the Arctic Circle lies Alaska’s Federal Wilderness Zone, one of the most remote places on Earth. But for paleoecologist Evan Marshall and a small group of fellow scientists, an expedition to the Zone represents the opportunity of a lifetime to study the effects of global warming. The expedition changes suddenly, however, with an astonishing find. On a routine exploration of a glacial ice cave, the group discovers an enormous ancient animal encased in solid ice. The media conglomerate sponsoring their research immediately intervenes and arranges the ultimate spectacle—the animal will be cut from the ice, thawed, and revealed live on television. Despite dire warnings of a local Native American village, and the scientific concerns of Marshall and his team, the “docudrama” plows ahead—until the scientists make one more horrifying discovery. The beast is no regular specimen…it may be an ancient killing machine. And they may be wrong in presuming it dead.

Lincoln child begins Terminal Freeze by quoting all but the last couple sentences of THIS. It’s not exactly a scholarly article, more of a “fun science facts” story. But like Child there are plenty of other folks willing to proffer their own answers to this “mystery.” AboveTopSecret.com (a forum devoted to “conspiracies, UFO’s, paranormal, secret societies, political scandals, new world order, terrorism”) and AnswersInGenesis.org (a site about Young Earth creationism and a literal interpretation of the Book of Genesis) both have explanations for the seemingly flash frozen mammoth that fit into other “theories.” If Child’s solution to the mystery, this novel, wasn’t presented as fiction it’d be just as ridiculous.

So, this isn’t really a Science Fiction novel. At first I had a hard time figuring out what it was. I clued in about the time I started hearing the scientists protags talking about something called “the Callisto Effect” – it sounded like utter bunk – so I looked it up. Yup it is bunk, it’s a fictional theory first invented for the Lincon Child/Douglas Preston novel The Relic (which got turned into a pretty good horror movie). The Callisto Effect is a Child/Preston invention, a kind of a fictional spin-off of the saltation hypothesis. As one other reviewer of this book noted the Callisto Effect can be summed up like this:

“…when a species becomes too numerous or starts to lose evolutionary vigor a monstrous superpredator suddenly appears and kills until it can kill no more.”

So ya, like I was saying, there are scientists in Terminal Freeze, and they talk about pseudo-scientific ideas, but this is just window dressing for the plot of a monster hunt.

We might think of the “techno-thriller” as a kind of a modern gothic novel. Even as far back as the 19th century, Edgar Allan Poe and Jules Verne, were setting their “fantastic tales in the remaining unexplored regions of the world. By the early 20th the likes of H.P. Lovecraft, and John W. Campbell only had one unexplored continent: Antarctica. The same would be true for a modern audience but now that even Antarctica has been laregly de-mystified we’re having to place our monster horror stories in inaccessible caves and hidden military bases (at least that’s the route Terminal Freeze takes).

The story is rather drawn out, with a number of blandish stock characters brought in seemingly only to be picked off one by one (which surpringly both does and doesn’t happen). The scientists, none of whom are particularly interesting, end up working with a local native, who was also co-incidentally a former soldier at Fear Base, and also a former junior scientist there, and also a co-discoverer of the original monster (back in the 1950s). Given those credentials you’d think then that he’d be absolutely instrumental in solving the mystery of what the frozen monster is and how it escaped. But no, he just gives a highly ineffectual and unrealistically cryptic warning (at the beginning of the novel) is promptly ignored – shuffles off the stage only to be brought back later, like Chekhov’s gun, jumbling around a bag of religious artifacts – which do nothing. Apparently the gun on the mantle was just a prop. Child added in an absolutely unnecessary batch of TV documentary people. The only reason I can think they’re there for is that it’d make for some good visuals should they make a movie of this novel. They’re all there when the monster in the ice escapes from the mysteriously melted ice. And of course their there when people start dying grizzly deaths as they wander off alone. But they don’t do much with those cameras and they end up leaving before the end.

After finishing the novel I was kind of interested in finding out if any of the locations in this novel were real. In the book there is a mountain called “Mount Fear,” a glacier called “Fear Glacier,” and a “Fear Base” (a D.E.W. Line style military facility). It turns out that they all don’t really exist, they are all made up.

One thing I did like about the novel was the discussion about the different types of ice. When the scientist are sitting around trying to explain how the creature in the ice escaped they briefly discuss different ways water crystallizes into ice, how these different types of ice are formed, and their differing properties. This briefly re-invigorates the mystery – but it is ultimately thrown away – discarded and replaced with a less than satisfactory explanation.

Scott Brick, who probably reads more books than any other audiobook narrator working today, does his best with what he’s given. The baddies come off badish, the heroes come off goodish, the monster comes off monsterish. The most interesting portion of the novel is actually a bit, almost completely tangential to the monster plot when an “ice road trucker” has to drive the survivors to safety. Brick works hard to make the cracking of the ice and the freezing cold compelling. And that’s the part of the novel is more believable.

Posted by Jesse Willis

SFsite: reviews of audiobooks and audio dramas

SFFaudio News

SFSite.comJust posted over on SFSite.com several reviews of audiobooks:

A review of Nightmare at 20,000 Feet by Richard Matheson
Narrated by various readers, unabridged, Blackstone Audio, 10.5 hours
review by Susan Dunham |MP3|

A review of Blue Moon Rising: Part 1 by Simon R. Green
Multicast performance, Graphic Audio, 5 hours
review by Fred Greenhalgh |MP3|

A review of Aliens Rule edited by Allan Kaster
Narrated by Vanessa Hart and Tom Dheere, unabridged, Infinivox, 3 hours, 43 minutes
review by Susan Dunman

A review of Sleep Traveler by Marcus Hame
Multi-cast production, unabridged, Synerge Books, 1 hour, 50 minutes
review by Bonnie L. Norman

A review of Glass Houses: Morganville Vampires, Book 1 by Rachel Caine
Narrated by Cynthia Holloway Tantor Audio, 8.5 hours
review by Gil T. Wilson

Posted by Jesse Willis