Radio Drama Revival: BBC Radio 4’s The Handmaid’s Tale

SFFaudio Online Audio

Radio Drama RevivalThough Margaret Atwood denies it, along with denying that humans landed on the Moon, I genuinely and truly believe she has written an excellent Science Fiction novel. In fact, BBC Radio 4’s production of that very Science Fiction novel, The Handmaid’s Tale, is truly excellent Science Fiction drama too! That’s why I’m so excited to pass along this post from Radio Drama Revival‘s Fred Greenhalgh:

Oh, dear listeners, today we have a treat for you! It’s a story commissioned by the the gold standard in audio drama – the BBC!

The show is producer John Dryden’s inspired adaptation of The Handmaid’s Tale, by Margaret Atwood. The story tells of a dismal future where the lines between church and state are no longer distinguishable, and the nature of femininity has been revised to fit a more religious bent.

Free young women are conscripted to become “handmaid’s” – women used as stand-ins for infertile wives in a world where sterility seems rampant… And this is the story of one of those Handmaids.

Part 1 is available now, parts 2 and 3 will appear in future podcasts…

Part 1 of 3 |MP3|

A full-cast dramatization based on one of the 20th century’s most outstanding novels about the future. When religious extremists take over the US government, they create the Republic of Gilead where women are prohibited from owning property and all money is transferred to male relations.

Podcast feed:

http://feeds2.feedburner.com/FinalRune

Also recommended, for those interested, there is a very different CBC Radio adaptation of The Handmaid’s Tale (as dramatized by Michael O’Brien). It aired in 2002 and was later released on CD by BTC Audiobooks.

Posted by Jesse Willis

LibriVox: The Iron Heel by Jack London

SFFaudio Online Audio

LibriVoxThe Iron Heel, one of the books from our 4th Annual SFFaudio Challenge. It is now complete and available free from LibriVox! Narrator Matt Soar sez:

I have just this afternoon finally finished the last chapter of Jack London’s The Iron Heel. Phew! It’s been quite an experience – begun in Montreal, completed in France, six months in the making.

He actually wrote that two months ago. See, Matt decided to make a planned creative commons release release PUBLIC DOMAIN! Woohoo! It’s on LibriVox and it has now been catalogued!

And, over in the “about” section of Matt’s site, TheIronHeel.net Matt wrote:

The entire expe­ri­ence has been intrigu­ing, if not uncanny: The story, about an over­bear­ing, immoral gov­ern­ment char­ac­ter­ized by decep­tion, tor­ture, and war­mon­ger­ing, against a back­ground of civil­ian exploita­tion and reli­gious zealotry, is mainly remark­able for the fact that it was writ­ten a hun­dred years ago — rather than, say, five.

Per­haps the only aspects of The Iron Heel that really age it are its breath­lessly roman­tic hero­ine, occa­sion­ally pro­saic lan­guage, and the author’s fleet­ing use of dubi­ous terms to describe eth­nic minori­ties. These quib­bles aside, I’m really glad I took the time to record it, and hope you enjoy it too.

LIBRIVOX - The Iron Heel by Jack LondonThe Iron Heel
By Jack London; Read by Matt Soar
26 Zipped MP3 Files or Podcast – Approx. 8 Hours 18 Minutes [UNABRIDGED]
Publisher: LibriVox / TheIronHeel.net
Published: July 16, 2010
Generally considered to be the earliest of the modern dystopian novels, The Iron Heel chronicles the rise of an oligarchic tyranny in the United States. It is arguably the novel in which Jack London’s socialist views are most explicitly on display. A forerunner of “soft science fiction” novels and stories of the 1960s and 1970s, the book stresses future changes in society and politics while paying much less attention to technological changes.

Podcast feed: http://librivox.org/rss/4342

iTunes 1-Click |SUBSCRIBE|

[Thanks a ton Matt!]

Posted by Jesse Willis

Review of Escape From New York AUDIO DRAMA

SFFaudio Review

WARNING: This review is a bit of an aberration, it’s a bit more gonzo. It was written this way out of necessity and it is thus perhaps only suitable for those who… ‘heard he was dead.’

BrokenSea Audio Productions - Escape From New York - FAN AUDIO DRAMAEscape From New York
Based on the screenplay by John Carpenter and Nick Castle; Adapted by Bill Hollweg; Performed by a full cast
5 MP3 Files or Podcast – Approx. 2 Hours 15 Minutes [AUDIO DRAMA]
Podcaster: BrokenSea Audio Productions
Podcast: April 2009 – March 2010
Themes: / Crime / Dystopia / Science Fiction / Alternate History / WWIII / Prison / Horror / New York /

Part 1 |MP3| Part 2 |MP3| Part 3 |MP3| Part 4 |MP3| Part 5 |MP3|

In the year 1988 the crime rate in the United States rises 400%. The once great city of New York becomes the one maximum security prison for the entire country. A fifty foot containment wall is erected along the New Jersey shoreline, across the Harlem river, and down along the Brooklyn shoreline. It completely surrounds Manhattan Island. All bridges and waterways are mined. The United States Police Force, like an army, is encamped around the island. The prison’s name: New York Maximum Security Penitentiary, Manhattan Island. There are no guards inside the prison, only prisoners, and the worlds they have made. The year now… 1997.

In the opening crawl (detailed above) we are given a world rife with Science Fiction glory. Escape From New York has a premise full of promise. It is a story pregnant with possibilities – nearly all of which are fulfilled. Escape From New York, my friends, is both a powerful satire of our times and a powerful cinematic experience movie. Now, thanks to the creative love and attention by fans at BrokenSea Audio Productions it is a wondrous audio drama made by fans for fans.

Now hang with me on this. I hope I don’t end up seeming like a crazed french film critic, arguing for the superiority of the second Star Wars trilogy (The Phantom Menace et. al) over the original Star Wars and Empire. Take that first statistic: “the crime rate in the United States rises 400%” – how would that be possible? It certainly wouldn’t match any conventional trend or shift in population growth. Might it then be categorized under some sort of Freakonomics-style explanation? Maybe. But, I think we could argue, quite convincingly, that the only way to increase the crime rate 400% overnight would be to make a whole lot more human behaviors crimes. Disrespecting authority, sharing files with friends, or as the trailer for Escape From L.A. puts it “No talking, no smoking, no littering, no red meat, no freedom of religion. And remember all marriages must be approved by the Department of Health.” So, the world of Escape From New York is really fun. But a world is not enough. You need a plot and a set of characters. As to the latter…

The anti-hero takes many forms but I have a special fondness for Snake Plisken. As in an IMDB grendelkhan says:

“Snake Plissken is the classic anti-hero, ala Clint Eastwood’s Man-with-no-name. Plissken is an ex-soldier turned criminal, recruited/blackmailed into rescuing a hostage president from the prison of New York City. Plissken is a walking ball of anger and a survival machine.”

Indeed, a survival machine who’s been betrayed, lied to shat on by his own government – and he’s got a cool eye-patch, a reverse tramp stamp of a cobra, and a gravelly voice. He is a great character.

“But what of his motivation?” You ask.

Read on…

Plisken, call him Snake, lives in a parallel universe – a USA run like a fun-house-lensed double craptoberfest of moral hypocrisy. If you’ve seen the movie Escape From New York, you’re seeing the 1980 zeitgeist of Manhattan as the epitome of ghettoic urban decay. This fear, that your neighbors are out to get you, the horror that politicians so often rely upon, works great in movies (and in the opening credits to The Equalizer). But this isn’t only a horror story. The prison genre is one of my favorites (check out Animal Factory). Like westerns, these genre stories have a certain set of conventions or constraints that make a story told within those constraints far more satisfying. But neither is Escape From New York just a prison story. For it
is also a quest story, a revenge story, an all out action adventure. There are MacGuffins galore for Plisken to chase after: First up is a world peace conference that is about to end in disaster lest a certain audio cassette is retrieved, then there’s a kidnapped President Of The United States to be rescued, and of course there’s a jet glider (don’t think too hard about that one) as their only escape, but to top it all off there’s a pair of ticking time-bombs in Snake’s body! That’s not just motivation, that’s entertainment folks!

Snake, now motivated, has enough-knock-down-drag-out adventures in the course of just less than 24 hours, so as to numb any thoughy you had about suspending any disbelief. Or as Samuel Taylor Coleridge argued: “[if a writer could infuse a] human interest and a semblance of truth [into a fantastic tale, the reader would suspend judgment concerning the implausibility of the narrative].” If you look at it another way this is the original 24, but with a hard-assed biker veteran saving the USA instead of a Kiefer Sutherland. In the course of just over 2 hours Bill Hollweg and the folks at BSAP have created a faithful and loving tribute to one of 1981’s best movies.

Speaking of 1981, I look forward to hearing BSAP adapt Clash Of The Titans (1981), Excalibur (1981) and Body Heat (1981). They’re already working on a Mad Max II (1981)-inspired series.

Posted by Jesse Willis

The SFFaudio Podcast #056 – READALONG: The Status Civilization by Robert Sheckley

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #056 – Jesse and Scott talk with Rick Jackson, Gregg Margarite, Jerry Stearns and Julie Davis about Robert Sheckley’s The Status Civilization!

Talked about on today’s show:
Wonder Publishing Group (Wonder Audio and Wonder Ebooks), LibriVox.org, Acoustic Pulp, Sound Affects, Great Northern Audio Theatre, Doctor Who, The Prisoner, Riverworld by Philip Jose Farmer, deep Science Fiction, Deathworld by Harry Harrison, The Space Merchants (aka Gravy Planet) by Frederik Pohl and Cyril M. Kornbluth, Preferred Risk by Frederik Pohl and Lester del Rey, Gladiator At Law by Frederik Pohl and Cyril M. Kornbluth, Anarchaos by Donald E. Westlake, a religion based on evil, satire, Friedrich Nietzsche‘s “master-slave morality,” good and evil, David Hume‘, the naturalistic fallacy, cognitive dissonance, original sin (aka atavistic guilt), Skulking Permit by Robert Sheckley, Breaking Point by James Gunn |READ OUR REVIEW|, psychology, society, robots, This Perfect Day by Ira Levin, utopia, dystopia, libertarianism, rebellion, “a benign evil,” narrating audiobooks, Mark Douglas Nelson, This Crowded Earth by Robert Bloch, Deathworld 2 by Harry Harrison, Watchbird by Robert Sheckley, Second Variety by Philip K. Dick, Tunnel Under The World by Frederik Pohl, Bellona Times, X-Minus One, Mark Time , Yuri Rasovsky, Raymond Z. Gallun, Bing, Seeing Ear Theatre, Orson And The Alien, The SFFaudio Challenge, turning modern public domain books into audio drama, Night Of The Cooters by Howard Waldrop, Jack J. Ward, The Sonic Society, Brian Price, Alfred Bester‘s review of The Status Civilization (from The Magazine Of Fantasy And Science Fiction, December 1960), the naming of “Tetrahyde”, a readalong on The Stars My Destination by Alfred Bester, the “amazing” audio drama version from BBC Tiger Tiger, The Count Of Monte Cristo by Alexandre Dumas, Frederik Pohl’s review of The Status Civilization (from January 1961 issue of Worlds Of If), the competition between the LibriVox and the commercial versions of audiobooks, Plato’s Cave, precognition, John W. Campbell, skrenning, scrying, Icelandic cook books!

The Status Civilzation (Planet Of The Criminals) GERMAN INTERIOR
The Status Civilzation (Planet Of The Criminals) GERMAN INTERIOR
The Status Civilzation (Planet Of The Criminals) GERMAN INTERIOR
The Status Civilization (Planet Of The Criminals) GERMAN INTERIOR
The Status Civilization (Planet Of The Criminals) GERMAN INTERIOR
The Status Civilization by Robert Sheckley
Signet - The Status Civilization by Robert Sheckley

Posted by Jesse Willis

Review of The Unincorporated Man by Dani Kollin and Eytan Kollin

SFFaudio Review

TANTOR MEDIA - The Unincorporated Man by Dani Kollin and Eytan KollinThe Unincorporated Man
By Dani Kollin and Eytan Kollin; Read by Todd McLaren
2 MP3-CDs – Approx. 24 Hours 30 Minutes [UNABRIDGED]
Publisher: Tantor Media
Published: May 2009
ISBN: 9781400161720
Themes: / Science Fiction / Utopia / Dystopia / Time Travel / Slavery / Economics / Business / Cryonics / Immortality / Virtual Reality / Philosophy / Law / Alaska / Colorado / Los Angeles / Switzerland / Nanotechnology / Space Elevator /

The Unincorporated Man is a provocative social/political/economic novel that takes place in the future, after civilization has fallen into complete economic collapse. This reborn civilization is one in which every individual is incorporated at birth and spends many years trying to attain control over his or her own life by getting a majority of his or her own shares. Life extension has made life very long indeed. Now the incredible has happened: a billionaire businessman from our time, frozen in secret in the early twenty-first century, is discovered and resurrected, given health and a vigorous younger body. Justin Cord is the only unincorporated man in the world, a true stranger in this strange land. Justin survived because he is tough and smart. He cannot accept only part ownership of himself, even if that places him in conflict with a civilization that extends outside the solar system to the Oort Cloud. People will be arguing about this novel and this world for decades.

Even though I had never heard of the authors I like this book right from the start. The title reminded me of a Philip K. Dick novel called The Unteleported Man. There are probably a whole bunch of SF books following the formula “The (negative attribution) Man”, with The Invisible Man perhaps being the first of them. But there’s a lot more to like about this novel than the title alone. Among the pleasures it brings is good, old-fashioned idea based SF. It has been quite a while since I was so intellectually engaged by a novel’s central premise. And The Unincorporated Man has one. Set on a future Earth The Unincorporated Man is fundamentally different in both tone and scope than most SF novels I’ve read recently. Authors Dani and Eytan Kollin have envisioned a future in which the institution known as “the corporation” has replaced the convention of “person.” When born each child has stock of 1000 shares issued in his or her name. 10 percent of these stocks are held by each parent, the government gets another 5 percent and the rest is held in trust until the age of majority after which the balance of the stock is given to the child-cum-adult. He or she can then sell, or keep his or her stocks as they so desire. Holding a majority of your own stock insures relative autonomy (based on the amount above 50% you hold). The primary difficulty comes when you realize that you’ll need to invest in yourself. If you want an education you’ll need to pay for it. But without an education the pay won’t be much. So, you can either get education money by working at a low-wage job, and deriving whatever profit percentage your current stock level allows, or by selling your stock off for cash. This typically manifests itself in the majority of humanity not owning majority in themselves. With the possibility of living for centuries, thanks to the ubiquitous nanotechnology, you’d be wise to invest in an education. But in so doing you’ll loose control of your majority, and thus perhaps have to work at jobs that your shareholders choose, take vacations when your shareholders agree and generally have your life dictated to you by those that hold your stock. Why not just take the money and loaf? Who cares what the shareholders say? They can’t make you work can they? Well, yes they can. The corporate system is enforced by a forced mental audit that is applicable whenever shareholders think a corporation, who they hold stock in, is committing malfeasance (shirking their job, deliberately getting fired, etc.). Every corporation is trackable, thanks to GPS-like implants, and is thus ultimately accountable to his or her shareholders. It is the ultimate invasive tyranny, a slavery to the bottom line, a profit motive enforced by an invisible hand that you shook a deal with.

But things aren’t all doom and gloom. Those who are lucky enough to have been born with enough money, drive, intelligence, talent or beauty are able to do pretty much whatever they like with their time – that is assuming they don’t loose too much of their stock in luxuries or in judgments rendered against them in civil lawsuits. You can live like a king, wear any kind of clothing you like, read the newsies and travel the world in an endless party. But, as the centuries have rolled past it seems that fewer and fewer people have found it fashionable (or is the correct word possible?) to retain or even re-seek their majority stock. After all, in their nanotechnological society material abundance sees that no-one starves, no-one remains un-housed. Freedom, it seems, is just out of fashion. Enter Justin Cord and his unincorporated status.

I really liked this novel, but it isn’t without a few caveats. I found the fascinating society portrayed to be the most interesting thing about The Unincorporated Man. The characters are all pretty stiff and the problems facing Jason Cord, our hero, were far less interesting than they were useful in exploring this strange new society. Like many novels I review this one suffers most greatly from excessive page count. At 480 pages the novel takes 24.5 hours to listen to. I’d have preferred the novel with a steadier editorial hand. The editor could have done two relatively easy things. First he or she could have cut out a lot of the filler. I’m not just talking about empty sentences, there are many scenes that could have been eliminated or described in just a sentence or two. There are, for instance, two big court cases in this nove. Would it have been impossible to tell this story in one? Second, there was a useless detour along the way. I enjoyed it, but don’t see any reason it was needed in this novel. It could have been easily explored separately, in another novel. Dani Kollin and Eytan Kollin wanted to talk about the relatively unexplored idea, a social scourge in the form of really vivid virtual reality. Larry Niven did something similar with his idea of the “tasp,” but that wasn’t exactly VR. If you could live your whole life in an artificial reality that was extremely cheap why wouldn’t you? The answer, cooked up by Kollins, is less persuasive than I’d have hoped. And again it doesn’t really need to be in this particular novel. They foresee a coming global catastrophe created not by ecological destruction, but rather by an addictive technological neuropathology. That’s great, but like I said it doesn’t need to be in this novel. When a false reality is far more enjoyable than a real one why should we care about the real one? Good question. Just don’t ask it here.

Narrator Todd McLaren, who I first encountered in Richard K. Morgan’s Altered Carbon |READ OUR REVIEW|, is very talented. He mispronounce one or two words. “Concomitant.” being one of them. McLaren isn’t called to do many accents here, but he gives voice to a fairly large cast of characters. There are also several scenes in which he is required to portray a man giving impassioned speeches to crowds. These don’t sound like shouts, thankfully, but instead give the impression of a strained voice, speaking so as to be heard.

Posted by Jesse Willis

Review of The Year Of The Flood by Margaret Atwood

SFFaudio Review

RANDOM HOUSE AUDIO - The Year Of The Flood by Margaret AtwoodThe Year Of The Flood
By Margaret Atwood; Read by Bernadette Dunne, Katie MacNichol and Mark Bramhall
11 CDs – Approx. 14 Hours [UNABRIDGED]
Publisher: Random House Audio
Published: September 22, 2009
ISBN: 9780739383971
Themes: / Science Fiction / Dystopia / Disaster / Environmentalism / Environmental Disaster / Ecology / Planetary Ecology / Religion / Genetic Engineering / Sex / Activism / Genetics /

The long-awaited new novel from Margaret Atwood. The Year of the Flood is a dystopic masterpiece and a testament to her visionary power. The times and species have been changing at a rapid rate, and the social compact is wearing as thin as environmental stability. Adam One, the kindly leader of the God’s Gardeners—a religion devoted to the melding of science and religion, as well as the preservation of all plant and animal life—has long predicted a natural disaster that will alter Earth as we know it. Now it has occurred, obliterating most human life. Two women have survived: Ren, a young trapeze dancer locked inside the high-end sex club Scales and Tails, and Toby, a God’s Gardener barricaded inside a luxurious spa where many of the treatments are edible. Have others survived? Ren’s bioartist friend Amanda? Zeb, her eco-fighter stepfather? Her onetime lover, Jimmy? Or the murderous Painballers, survivors of the mutual-elimination Painball prison? Not to mention the shadowy, corrupt policing force of the ruling powers . . .Meanwhile, gene-spliced life forms are proliferating: the lion/lamb blends, the Mo’hair sheep with human hair, the pigs with human brain tissue. As Adam One and his intrepid hemp-clad band make their way through this strange new world, Ren and Toby will have to decide on their next move. They can’t stay locked away . . .By turns dark, tender, violent, thoughtful, and uneasily hilarious, The Year Of The Flood is Atwood at her most brilliant and inventive.

Margaret Atwood’s book The Year Of The Flood spans several years, before, after and during the waterless flood which is a plague that affects only humans. There are three readers, Bernadette Dunne, Katie MacNichol and Mark Bramhall. Throughout the eleven discs (14 hours), I enjoyed listening to the women, and began to dread the onset of the male reader. He was certainly professional. Was it his character, Adam One, a religious cult leader of God’s Gardeners? Was it the inevitable sermon he would read in a church-appropriate voice? Or was it the hymns, written by Atwood and set to “original” music that would have me engaging in positive procrastination in order to avoid finishing this audiobook.

The loveliest parts of the book take place from the point of view of Ren, a child in God’s Garden. The religion is a logical outcome for a near future on Earth following environmental disasters not too difficult to imagine. Technologies we toy with today lead to some A Clockwork Orange style vocabulary. Words such as “garboil” (a kind of petroleum made from trash) lend a frighteningly vital immersion into this eco-nightmare. Other wonderful vocabulary delights come through the genetic alterations of food and creature such as soydines and bugs with little smiley faces engineered thereon so thoughts of squishing them would be repugnant. The Gardeners have a host of saints to celebrate, showing Atwood’s ability to relate some important environmentalists and peaceniks to her tale including Saint Rachel Carson, Saint David Suzuki and Saint Mahatma Gandhi.

The main female characters, Ren and Toby, both fully developed, are compelling. Throughout the story, one is interested in them as human beings, in their suffering, in their losses, in their desires. Despite the time shifts, the readers manage to keep the characters believable; one is lost in the story (as one should be!) until the final disc. Maybe Atwood can’t write optimistic endings. With all the violence, sadistic sex and death in the world of the Gardeners who are staunch vegetarians who don’t even kill the insects that invade their gardens; with spray guns, layabout body parts and a world of human-pig hybrids conducting funerals, the last disc felt wrong. Ren’s character becomes childish. Toby becomes a murderous cold-blooded killer and then suddenly has another personality shift. The only character to remain true is the one-dimensional ADAM ONE. I was strung along on the brilliant imagination, left flat on story line, and confused in the end by the characters I thought I liked.

Am I waiting for that third expected book in a TRILOGY featuring some of these characters? My interest in Atwood’s “exfernal” world is now lukewarm.

Posted by Elaine Willis